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Collections | Drawings & Prints

Views: List | Single work | Overview

Cherubino Alberti (Borgo San Sepolcro 1553–1615 Rome)
Justice and Fortitude Flanking the Arms of Pope Clement VIII Aldobrandini, ca. 1596-98
Pen and brown ink, brown wash, over black chalk
Inscribed on banderole at right, in pen and brown ink, VIII P[ontifex] M[aximus].
Diameter 8 7/8 inhes (225 mm)
Gift of Janos Scholz, 1979

Albrecht Altdorfer (ca. 1480–1538)
Two Lovers by a Fountain in a Landscape
Pen and black and white ink, on brown prepared paper; framing lines in black ink
Signed with monogram on lining, in red chalk, AB 98, and inscribed in graphite, G. f.B.
6 5/8 x 4 5/8 inches (167 x 119 mm)
Thaw Collection; 2006.51

Anonymous Italian artist
Portrait of a Woman with a Hairnet
Black and white chalk
8 13/16 x 7 1/4 inches (223 x 185 mm.)
Gift of H. P. Kraus, 1961; 1961.61

Anonymous, Italian School (15th century)
Lynx and a Recumbent Unicorn. Verso: Recumbent Ibex and Dog
Brush in brown, white and black tempera, on vellum
6 3/8 x 4 3/4 inches (162 x 121 mm)
Inscribed in lower left corner, in graphite, 89
Purchased by Pierpont Morgan, 1909; I, 82

Anonymous, Italian School (15th century)
Standing Goat and Recumbent Sheep. Verso: Two Birds
Brush and brown, white and black tempera, on vellum
6 3/8 x 4 3/4 inches (161 x 120 mm)
Inscribed at upper right, in pen and brown ink, 8
Purchased by Pierpont Morgan, 1909; I, 84 (recto)

Anonymous, Netherlandish School (15th century)
Drapery Study. Verso: (by another hand): Martyrdom of St. Matthew at the Instigation of King Hirtacus
Point of brush and gray bodycolor, on prepared ochre ground, heightened with white bodycolor (some retouching in zinc white), preliminary indications in hard black chalk; the background painted in, in purplish–red bodycolor, on paper
8 1/16 x 5 5/8 inches (206 x 144 mm)
Gift of Mr. and Mrs. Eugene Victor Thaw; 1970.14r

Anonymous, Netherlandish School (15th century)
Martyrdom of St. Matthew at the Instigation of King Hirtacus. Recto (by another hand): Drapery Study.
8 1/16 x 5 5/8 inches (206 x 144 mm)
Inscribed at lower right, in brown ink, MS 1495
Gift of Mr. and Mrs. Eugene Victor Thaw; 1970.14v

Fra Bartolomeo (1472–1517)
View of the Ospizio della Madonna del Lecceto from the West, ca. 1498-1504
Verso: View of the Same Building from the Northwest
Pen and brown ink
11 1/6 x 8 7/16 (282 x 214 mm)
Purchased as the gift of the Fellows; 1957.18

Jacopo Bassano (1516/19–1592)
Head of an Old Man Turned to the Left, 1541–42
Black, red, and white chalk
5 7/16 x 5 1/16 inches (137 x 128 mm)
Gift of Lore Heinemann in memory of her husband, Dr. Rudolf J. Heinemann, 1998; 1998.3

Gian Lorenzo Bernini (1598–1680)
Portrait of Cardinal Borghese, ca. 1632
Red chalk, over graphite, on paper
9 15/16 x 7 1/4 inches (253 x 184 mm)
IV, 176

Gian Lorenzo Bernini (1598–1680)
Portrait of Sisinio Poli, 1638
Black, red, and white chalk, on light brown paper
Inscribed on paper attached to lower edge of drawing, in pen and brown ink, Eques Laurentinus Berninus / Die vigesimo octavo Aprilis 1638 / Delineavit / Effigies Sisinii Poli anno aetatis Suae / Decimo octavo.
10 5/8 x 8 1/8 (addition 2 7/16 h.) inches (270 x 207 mm; addition 62 mm)
Gift of J. P. Morgan, Jr., 1924; IV, 174

Jacopo Bertoia (Parma 1544–ca. 1573 Parma)
Joseph in Prison Interpreting the Dreams of Pharaoh's Butler and Baker
Pen and brown ink, with brown wash, over graphite; squared in pen and brown ink
9 11/16 x 8 11/16 inches (246 x 221 mm)
Purchased by Pierpont Morgan, 1910; III, 141a
Photography by Graham Haber, 2009

Isabel Bishop (1902–1988)
The Examination of All the Letters Which Jane Had Written to Her
Pen and black ink, gray wash, over pencil, on paper
Gift of Mrs. Robert E. Blum in honor of Charles Ryskamp on his 10th anniversary as Director; 1979.32:15

William Blake (1757–1827)
Mirth, illustration to Milton's L'Allegro
Pen and brush, black and gray ink, watercolor
Signed in pen and black ink at lower right, Inv. W. Blake
6 3/8 x 4 13/16 inches (161 x 121 mm)
Purchased with the assistance of the Fellows with the special support of Mrs, Landon K. Thorne and Mr. Paul Mellon; 1949.4:1

William Blake (1757–1827)
Portrait of Mrs. Q (Mrs. Harriet Quentin)
Stipple etching/engraving with mezzotint, printed in dark brown on wove paper, 1820
313 x 246 mm
Gift of Charles Ryskamp in memory of Michael S. Currier; 1998.36:4

William Blake (1757–1827)
Behemoth and Leviathan, ca. 1805–10
[Book of Job, no. 15]
Pen and black and gray ink, gray wash, and watercolor, over faint indications in pencil, on paper
10 1/16 x 7 3/4 inches (272 x 197 mm)
Purchased by Pierpont Morgan, 1903; 2001.77

Louis-Léopold Boilly (1761–1845)
Portraits of the Artist's Family and Servants
Black and white chalk, on light brown wove paper
17 13/16 x 11 11/16 inches (450 x 297 mm)
Thaw Collection; EVT 10

Paris Bordone (1500–1571)
Head of a Bearded Sleeping Man, early 1530s
Black and white chalk on blue paper faded to green gray
Inscribed at lower left, in pen and brown ink, Tiziano.
7 5/16 x 5 1/2 inches (185 x 133 mm.)
Gift of Janos Scholz, 1981; 1981.90

Paris Bordone (1500–1571)
Standing Man Playing a Viola da Gamba (Violoncello), late 1530s
Black and white chalk
7 3/8 x 3 1/8 inches (188 x 83 mm.)
Purchased by Pierpont Morgan, 1909; I, 75

Sandro Botticelli (Alessandro di Mariano di Vanni Filipepi; 1444/45–1510)
Horses and Spectators (Fragment of an Adoration of the Kings), 1500–1505
Brush and brown ink or tempera, heightened with white, over traces of black chalk, on three pieces of prepared linen stitched together
12 3/8 x 13 1/4 inches (316 x 338 mm)
Gift of J. P. Morgan, Jr., 1924; I, 5

François Boucher (1703–1770)
Thatched Mill Cottage and Shed with Two Trees at the Edge of a Stream
Black chalk and pale gray wash on gray paper
8 11/16 x 12 5/16 inches (220 x 312 mm.)
Purchased as the gift of the Fellows; 1960.10

François Boucher (1703–1770)
Adoration of the Shepherds, ca. 1761–62
Pen and brown ink, brown and red wash, brown and black chalk, heightened with white chalk, worked wet, over traces of black chalk, on pink-prepared paper
11 3/8 x 14 5/8 inches (289 x 371 mm)
Thaw Collection; EVT 184

François Boucher (1703–1770)
Young Woman in Classical Dress
Black chalk, heightened with white, on gray-blue paper, faded to light brown
13 11/16 x 8 11/16 inches (348 x 222 mm)
The Pierpont Morgan Library, purchased on the Sunny Crawford von Bülow Fund; 1983.1

Thomas Shotter Boys (1803–1874)
Two Children by a Lake with Buildings and Ruins Beyond
Point of brush and watercolor, over pencil
9 5/8 x 13 1/8 in. (244 x 333 mm)
Purchased on the Fellows Fund; 1985.59

Thomas Shotter Boys (1803–1874)
Nant ffrancon, Caernarvon, North Wales
Pen and brown ink and watercolor, over pencil; framing line in pen and brown ink
Signed at lower left, in pen and brown ink, T.S. Boys
4 7/8 x 8 5/8 inches (122 x 219 mm)
Purchased by the Council of the Fellows in honor of Charles Ryskamp; 1987.13

Jan de Bray (ca. 1627–1697)
"Suffer the Little Children to Come unto me": Matthew 19:13–15; Mark 10:13–16; Luke 18:15–17
Brush and gray wash, over pen and brown ink, on paper; framing line in brown ink
Signed and dated at upper center, in point of brush and brown ink, JDB(in ligature)ray. / 1663.
10 13/16 x 11 15/16 inches (275 x 303 mm)
Purchased as the gift of the Markus Family in memory of Frits Markus; 1999.18

Jörg Breu the Younger (ca. 1510–1547)
Horseman Attacking a Fallen Warrior
Pen and black ink, heightened with pen and white ink, some brush work in both black and white ink, on paper brushed with a dark gray wash
8 3/4 x 6 11/16 inches (22 x 171 mm)
Signed with monogram and dated at lower center, in pen and white ink, JB[interlaced] 1543
Gift of Mr. and Mrs. Eugene V. Thaw in honor of Charles Ryskamp on his 10th anniversary as Director; 1978.38

Samuel Buck (1696–1779)
East View of Arundel Castle
Pen and black ink, gray wash, over traces of black chalk, framing lines in black ink
Inscribed along upper edge, in pen and brown ink,
THE EAST VIEW OF ARUNDEL CASTLE, IN THE COUNTY OF SUSSEX
7 x 14 7/8 in. (177 x 377 mm)
Purchased as the gift of Paul Mellon and Mrs. Helen S. Tucker; 1987.3

William Callow (1812–1908)
The Garden at Versailles with the Fishing Temple (Petit Hameau de la Reine, Versailles)
Watercolor and gouache on paper, 1837
7 13/16 x 11 1/4 inches (198 x 286 mm)
Purchased on the Sunny Crawford von Bülow Fund 1978; 2007.82

Domenico Campagnola (Italian, ca. 1500–1564)
Landscape with Town and Hill
Pen and brown ink
The Morgan Library & Museum
The Joseph F. McCrindle Collection

Giulio Campagnola (ca. 1482–after 1515)
Buildings in a Rocky Landscape
Pen and brown ink
6 x 7 3/4 inches (153 x 196 mm.)
Purchased by Pierpont Morgan, 1909; I, 59

Canaletto (Giovanni Antonio Canal; 1697–1768)
Architectural Capriccio
Pen and brown ink, with gray wash, over graphite and traces of black chalk
11 1/4 x 8 1/16 inches (286 x 204 mm)
Gift of János Scholz; 1973.48

Vittore Carpaccio (1460/66–1525/26)
Sacra Conversazione
Pen and brown ink, brown wash, over red chalk; brown ink border at left, top and right; left, top and right edges marked off for transfer
Gift of the Thaw Collection, 2006; 2006.46

Vittore Carpaccio (ca. 1460/66–1525/26)
Head of Bearded Man Wearing a Cap, in Profile to the Left, 1495–1500
Black chalk, brown wash, heightened with white gouache
10 3/8 x 7 1/4 inches (265 x 185 mm.)
Purchased by Pierpont Morgan, 1909; I, 54

Vittore Carpaccio (1455?–1525?)
Head of a Young Man, in Profile to the Right Recto: Head of a Bearded Man Wearing a Cap, in Profile to the Left
Black chalk, brown wash, heightened with white gouache, on blue paper
10 3/8 x 7 1/4 inches (265 x 185 mm)
I, 55 (verso)

Girolamo da Carpi (Ferrara 1501–1556 Ferrara)
Antique Sculpture of Apollo and Two Niches with Statues
Pen and brown ink
9 1/2 x 6 5/8 inches (240 x 168 mm)
Gift of Janos Scholz, 1984; 1984.3

Annibale Carracci (Bologna 1560–1609 Rome)
Flying Putto
Black chalk, stumped
11 5/8 x 7 1/8 inches (295 x 182 mm)
Purchased on the Fellows Fund, 1975; 1975.3
Photography by Graham Haber, 2009

Carmontelle (Louis Carrogis 1717–1806)
Portrait of a Lady Seated by a Fire
Black, red, and white chalk, watercolor, with a touch of pen and black ink to accent the sitter's eye
7 9/16 x 8 9/16 inches (196 x 218 mm)
Purchased on the Walter C. Baker Fund; 1981.51

Carl Gustav Carus (1789–1869)
Fountain Before a Temple
Charcoal, heightened with white gouache, on blue-gray paper, [1854–57]
18 x 11 1/4 inches (457 x 285 mm)
Thaw Collection; EVT 205

Vincenzo di Biagio Catena (1470?–1531)
Study of Drapery on a Half-Length Figure with Raised Right Arm, 1518–1520
Black chalk, heightened with white gouache, on blue paper faded to green–gray
7 x 7 3/8 inches (179 x 186 mm)
Gift of Mr. Janos Scholz; 1973.40

Cavaliere d'Arpino (Giuseppe Cesari, 1568-1640)
Child Walking, Looking Over Its Shoulder
Black and red chalk
12 x 8 7/16 inches (305 x 215 mm)
Purchased by Pierpont Morgan, 1910; IV, 161a
Photography by Graham Haber, 2009

Paul Cézanne (1839–1906)
The Terrace at the Garden at Les Lauves
Watercolor over graphite
17 x 21 1/16 inches (432 x 534 mm)
Thaw Collection, The Morgan Library & Museum; 2010.125

Paul Cézanne (Aix-en-Provence 1839–1906 Aix-en-Provence)
Trees
Watercolor over pencil
18 3/4 x 12 5/16 inches (457 x 298 mm)
Thaw Collection; EVT 25

Jacopo Chimenti (1551–1640)
Young Man Seen from the Back
Red chalk on paper
16 x 10 1/2 inches (406 x 267 mm)
IV, 172

Anthony Claesz (Dutch, 1616–ca. 1652)
Seven Tulips with Three Ladybugs, ca. 1635–50
Watercolor and gouache
The Morgan Library & Museum
Charles Ryskamp Bequest, 2010
Photography: Schecter Lee

Attributed to Giulio Clovio (Grisane, Croatia, 1498–1578 Rome)
The Dream of Human Life, after Michelangelo
Black chalk, some stumping, and some outlines indented for transfer
Inscribed at lower left, in pen and brown ink, Michel Angelo.
14 5/16 x 10 3/4 inches (364 x 272 mm)
Purchased by Pierpont Morgan, 1910; IV, 7a

John Constable (1776–1837)
View of Cathanger Near Petworth
Pencil on two sheets of paper pasted together, 1834
Inscribed by the artist in pencil at upper left, Petworth Sepr. 12 1834 / Cat Hanger
8 1/16 x 13 5/8 inches (205 x 347 mm)
Gift of Mr. and Mrs. Eugene Victor Thaw; 1996.146

John Constable (1776–1837)
A View of the Canal, Newbury
Pencil, gray wash
Inscribed at lower left, in pen and brown ink, Newbury, Berks / June 5. 1821
6 3/4 x 10 1/16 in. (171 x 255 mm)
Thaw Collection; EVT 198

Jean-Baptiste-Camille Corot (1796–1875)
Portrait of a Man
Pencil, partly stumped, on wove paper
10 1/2 x 8 1/2 inches (265 x 216 mm)
Signed and dated at lower right, "C. Corot. / octobre. 1844.
Thaw Collection; EVT 32

Attributed to Correggio (Antonio Allegri, ca. 1489–1534)
Head of a Woman Crying Out, ca. 1511–14
Charcoal, in some passages blended with white chalk, accents in brush and black oil pigment, on two pieces of light brown paper joined vertically at left
12 5/8 x 8 7/8 inches (321 x 225 mm)
Gift of J. P. Morgan, Jr., 1924; IV, 30

Richard Cosway (1742–1821)
Portrait of Horace Beckford, Afterwards Pitt-Rivers, 3rd Baron (1777–1831), at Age 13, 1790
Graphite and watercolor
9 1/8 x 5 5/8 inches (230 x 142 mm)
Purchase, The Morgan Library & Museum; 1956.14

John Sell Cotman (1782–1842)
Trees and Cows at Ashtead Park, Surrey
Pencil on light brown paper
Signed at lower left, J.S. Cotman; numbered and inscribed at lower right, 1131 / Ashted Park Surrey
10 1/4 x 8 1/2 inches (260 x 215 mm)
Purchased on the E. J. Rousuck Fund; 1987.2

David Cox (1783–1859)
Welsh Mountain Landscape
Watercolor over faint indications in pencil
Signed and dated in brush and brown watercolor at lower left, David Cox / 18 [illegible]
7 1/8 x 10 7/16 inches (180 x 265 mm)
Gift of Mr. and Mrs. Ralph Spencer; 1979.39

David Cox (1783–1859)
Cows and Calves in a Byre
Watercolor and gouache over graphite
6 9/16 x 9 3/4 inches (167 x 248 mm)
Gift of Mr. and Mrs. Charles F. Morgan in honor of the 75th anniversary of the Morgan Library and the 50th anniversary of the Association of the Fellows; 2000.2

Alexander Cozens (ca. 1717–1786)
Heroic Landscape
Brush and black ink, gray-black wash, on pinkish brown prepared paper
18 3/4 x 24 1/4 inches (476 x 618 mm)
Purchased as the gift of the Fellows; 1966.6

John Robert Cozens (1752–1797)
Rome from the Villa Mellini
Watercolor, over preliminary drawing in pencil
Signed (?) at bottom center, in pen and black ink, Jn. Cozens
20 7/8 x 29 3/4 inches (531 x 757 mm)
Thaw Collection; EVT 36

Lucas Cranach the Elder (1472–1553)
Portrait of a Man in a Black Cap
Oil on paper, possibly over black chalk; some retouching in cap and bust
9 1/2 x 7 3/4 inches (250 x 195 mm)
Thaw Collection; 2006.50

Joshua Cristall (1767 or 1769–1847)
Llyn-y-Cau, Cader Idris
Watercolor and pencil
Signed, dated, and inscribed at lower left in pen and brown ink, Llyn Caye / Cader Idris — 1803 J. Cristall; inscribed at lower right [cut off], near the Sumit [sic] of / [cut off]
8 15/16 x 12 13/16 inches (228 x 326 mm)
Purchased as a gift of Mr. and Mrs. Charles F. Morgan; 1990.17

Giovanni Antonio da Pordenone (ca. 1483–1539)
Crucifixion, 1520–21
Red chalk
7 1/8 x 8 inches (180 x 204 mm.)
Purchased by Pierpont Morgan, 1909; IV, 69

Francis Danby (1793–1861)
The Procession of Cristna
Watercolor and gouache, heightened with white gouache, with gum arabic, some scratching out, on paper
7 1/2 x 10 1/2 inches (190 x 266 mm)
Purchased on the Sunny Crawford von Bülow Fund; 2001.18.

Francis Danby (1793–1861)
Penpole Point, Shirehampton, Near Bristol
Watercolor and some gouache, over pencil
10 x 15 inches (254 x 381 mm)
Gift of Mrs. Iola S. Haverstick; 1991.9

Samuel Daniell (1775–1811)
Hippopotamus
Watercolor, over graphite
12 1/2 x 17 5/8 inches (317 x 448 mm)
Purchased as a gift of Mrs. Peter McBean; 1977.28

Thomas Daniell (1749–1840)
The Sacred Tree of the Hindoos at Gyah, Bahar, March 1790
Watercolor, over graphite
Inscribed below lower left margin in black ink, The ACHE BHUR a sacred tree of the HINDOOS at GYA, BAHAR
17 5/16 x 23 11/16 inches (440 x 601 mm)
Purchase, The Morgan Library & Museum; 1974.73

Honoré Daumier (1808–1879)
The Schoolmaster and the Drowning Child
Pen and brush, black ink and watercolor heightened with white over black chalk, on paper
11 15/16 x 9 5/16 inches (287 x 256 mm)
Signed in lower right in pen and black ink, "h.Daumier."
Thaw Collection; EVT 43

Jacques Louis David (1748–1825)
Study for the Execution of the Sons of Brutus
Pen and black ink with some point of brush and wash over black chalk, on paper
Signed at lower left, with initials of both Jules (Lugt 1437) and Eugène David (Lugt 839).
Thaw Collection; 2010.109

Stuart Davis (1892–1964)
Sketchbook No. 6, folio 6, 1926
Executed in black ink and colored and graphite pencils, on a sheet of Lefax loose-leaf paper, mounted down
Leaves measure 8 1/2 x 6 3/4 inches (216 x 171 mm)
Gift of Earl Davis and purchased as the gift of the Armand G. Erpf Fund, Margot Gordon, the Young Associates Fund, and the Vervane Foundation, 2001.20

Edward Dayes (1763–1804)
The Royal Exchange, London
Watercolor, over pencil; framing lines in pen and black ink
Signed and dated at lower left, in pen and brown ink, E Dayes 1795
8 1/2 x 6 3/4 inches (216 x 171 mm)
Purchased on the Director's Fund in honor of Mrs. Vincent Astor; 1986.44

Peter De Wint (1784–1849)
Shepherd and Flock Overlooking Winding River in the Fen District
Watercolor and traces of graphite
7 3/4 x 12 1/8 inches (197 x 308 mm)
Purchased as the gift of Viscount Astor; 1973.19

Edgar Degas (1834–1917)
Four Jockeys on Horseback, ca. 1868, reworked ca. 1878
Graphite, with stumping, on tracing paper mounted to board
Stamped at lower left in red ink, Degas.
15 7/8 x 15 inches (403 x 380 mm)
Thaw Collection; EVT 45

Edgar Degas (1834–1917)
Self-Portrait
Black chalk on paper
6 3/16 X 7 1/4 inches (157 x 183 mm)
Thaw Collection; EVT 272

Edgar Degas (1834–1917)
Sketchbook, ca. 1880 and after
Contains 21 drawings on 43 leaves
Chiefly graphite, with touches of charcoal and a few leaves executed in blue chalk; bound in tan linen.
Inscribed by Halévy throughout, notably on first leaf, in pen and black ink, Tous les croquis de cet album / on été faits chez moi par Degas. / Années 1880 et suivantes.
Thaw Collection; 2004.35
See whole sketchbook »

Edgar Degas (1834–1917)
Landscape with Path Leading to a Copse of Trees, ca. 1890–92
Pastel and thinned oil paint, over monotype printed in thinned oil paint
Signed and inscribed at lower right in charcoal, á M. Charpentier / Degas.
Thaw Collection; EVT 493

Edgar Degas (1834–1917)
Achille Henri Victor Gouffé (1804–1874), Double Bass Player at the Paris Opéra, 1869
Graphite
9 1/4 x 13 1/8 inches (227 x 321 mm)
Thaw Collection; EVT 279

Edgar Degas (1834–1917)
Dancer with Arms Outstretched, ca. 1878
Black and white chalk, on tan paper; squared for transfer in black chalk
Inscribed by the artist below the left arm, reflets sur le bras
9 1/4 x 13 1/8 inches (227 x 321 mm)
Thaw Collection,The Morgan Library & Museum; EVT 278

Edgar Degas (1834–1917)
Mademoiselle Bécat at the Café des Ambassadeurs, 1877/85
Pastel over lithograph
Signed and dated at lower right, in pastel, Degas / 85.
9 1/16 x 7 7/8 inches (230 x 200 mm)
Thaw Collection; 1997.88

Edgar Degas (1834–1917)
Self-Portrait in a Brown Vest, 1856
Oil on paper
9 1/2 x 7 1/2 inches (240 x 190 mm.)
Bequest of John S. Thacher, 1985; 1985.46

Edgar Degas (1834–1917)
Racehorse, 1878
Charcoal, with stumping, on light brown paper
12 3/4 x 8 1/16 inches (324 x 205 mm)
Stamped at lower left corner, in red, Degas
Thaw Collection; EVT 275

Edgar Degas (1834–1917)
Study of a Seated Woman, 1868–69
Oil paint thinned with turpentine, over graphite, on tan paper
Stamped in red ink at lower right, Degas; inscribed at right with extraneous numbers.
13 3/4 x 8 3/16 inches (350 x 209 mm.)
Bequest of John S. Thacher, 1985; 1985.38

Edgar Degas (1834–1917)
Standing Man in a Bowler Hat, ca. 1870
Oil paint thinned with turpentine, on brown paper
Stamped in red ink at lower left corner, Degas.
12 3/4 x7 7/8 inches (323 x 201 mm)
Bequest of John S. Thacher; 1985.39

Edgar Degas (1834-1917)
Seated Dancer, ca. 1871
Oil paint thinned with turpentine, over graphite, on pink paper
Stamped at lower left corner, Degas
10 15/16 x 8 11/16 inches ) 279 x 222 mm)
Thaw Collection; EVT 46

Edgar Degas (1834–1917)
Rosa Adelaide Aurora Degas, the Duchess Morbilli, ca. 1858
Black, gray, and pink wash, with white gouache, over graphite
13 13/16 x 7 5/16 inches (350 x 186 mm)
Thaw Collection; EVT 274

Edgar Degas (1834–1917)
Two Studies of Dancers, ca. 1873
Black chalk, heightened with white chalk, on green paper
17 1/2 x 11 5/16 inches (445 x 286 mm)
Thaw Collection; EVT 273

Eugène Delacroix (1798–1863)
Christ on the Cross
Pen and brown ink, brown wash
Estate stamp in red ink at lower left, iE.D.
14 1/4 x 9 1/4 inches (362 x 235 mm)
Bequest of John S. Thacher; 1985.33

Eugène Delacroix (1798–1863)
Royal Tiger
Pen and brown ink, and watercolor, over graphite
Signed at lower right in pen and brown ink, Eug. Delacroix.
7 x 10 9/16 inches (178 x 268 mm)
Thaw Collection; 2006.54

François Desportes (1661–1743)
Study of a Pointer
Oil on paper prepared with a brown oil wash, laid down on canvas
25 1/4 x 18 7/8 inches (641 x 479 mm)
Thaw Collection; EVT 492

Thomas Coleman Dibdin (1810–1893)
View of Rouen
Point of brush, watercolor, gouache, some gum arabic, and traces of black chalk
Signed and dated at lower left corner, in point of brush and dark blue watercolor, TC Dibdin / 1882
14 7/8 x 21 1/2 inches (376 x 543 mm)
Gift of Mr. and Mrs. Henry Tang; 1993.20

Jim Dine (b. 1935)
The Glyptotek Drawings, 1987–88
Charcoal on Mylar
17 3/4 x 15 1/2 inches (45 x 39.4 cm)
Promised gift of the artist to The Morgan Library & Museum
Photograph courtesy of PaceWildenstein.
© 2009 Jim Dine / Artists Rights Society (ARS), New York


See more of The Glyptotek Drawings »

Jim Dine (b. 1935)
Blind Owl, 2000
Charcoal and oil on serigraph
35 1/2 x 30 1/2 (902 x 775 mm)
Thaw Collection; 2010.142
© 2011 Jim Dine / Artists Rights Society (ARS), New York

Domenichino (Domenico Zampieri, 1581–1641)
Landscape with River and Buildings
Pen and brown ink on paper
13 1/16 x 8 11/16 inches (331 x 223 mm)
Inscribed at lower right, in pen and brown ink, Domenico [Z]ampieri
IV, 166a

François-Hubert Drouais (1727–1775)
Boy with a Sketchbook
Black, white, and red chalk
Inscribed on the old mount, F. H. Drouais
16 x 10 inches (404 x 256 mm)
Purchased on the Sunny Crawford von Bülow Fund 1978; 1992.35

Joseph Ducreux (French, 1735–1802)
Portrait of a Man, ca. 1802
Black, brown, red, and white chalk
The Morgan Library & Museum
Estate of Mrs. Vincent Astor, 2012

Attributed to étienne Dupérac (Paris or Bordeaux 1520–1604 Paris)
The Baths of Diocletian (Reconstructed View)
The Ruins of Rome, ca. 1569–75 (illustrations)
Manuscript with 46 illustrations and accompanying text in Italian
Pen and brown ink, with brown wash, on vellum
Leaves: 9 13/16 x 7 13/16 inches (250 x 200 mm)
Gift of the Giannalisa Feltrinelli Foundation, Ltd., in memory of Giannalisa Feltrinelli, 1997; MS M.1106

Albrecht Dürer (1471–1528)
Adam and Eve, 1504, Engraving
Dated on plate, 1504.
10 7/16 x 8 1/4 inches (265 x 209 mm)
Purchased as the gift of Eugene V. Thaw, S. Parker Gilbert, Rodney B. Berens, Mrs. Oscar de la Renta, Elaine Rosenberg, T. Kimball Brooker, George L. K. Frelinghuysen, and on the Ryskamp Fund, the Edwin H. Herzog Fund, and the Lois and Walter C. Baker Fund; 2006.80

Albrecht Dürer (1471–1528)
Constructed Head of a Man in Profile, ca. 1512–13
Pen and brown ink and dark brown wash
9 9/16 x 7 7/16 inches (244 x 188 mm)
Purchased by Pierpont Morgan, 1910; I, 257b

Albrecht Dürer (1471–1528)
Abduction on Horseback, 1516
Pen and brown ink, with traces of underdrawing in black chalk; traced with a stylus
Inscribed at lower left, in pen and brown ink, lte 50 (?); at lower right, in pen and brown ink, 15
9 13/16 x 7 15/16 inches (251 x 201 mm)
Purchased by Pierpont Morgan, 1910; I, 257a

Albrecht Dürer (1471–1528)
Portrait of the Artist's Brother Endres, ca. 1518
Charcoal on paper, background later washed with white lead
Inscribed at lower right with the artist's monogram in black chalk by another hand
12 3/4 x 10 5/16 inches (324 x 262 mm)
Gift of Mrs. Alexander Perry Morgan in memory of Alexander Perry Morgan; 1973.17

Albrecht Dürer (1471–1528)
Kneeling Donor, 1506
Brush and black ink, gray wash, heightened with white bodycolor, with accents in pen and dark ink, on blue Venetian paper
Signed with the artist's monogram and dated, at lower left, in brown ink, 1506.
12 3/4 x 7 11/16 inches (323 x 198 mm)
Purchased by Pierpont Morgan, 1910; I, 257c

Albrecht Dürer (1471–1528)
Melencolia I, 1514
Engraving
9 7/16 x 7 5/16 inches (240 x 186 mm)
Bequest of Belle da Costa Greene; 1950.33

Albrecht Dürer (1471–1528)
Design for the Decoration of a Saddle
Pen and dark brown ink
Signed with the artist's monogram, and dated in lighter ink by another hand, 1517
8 5/8 x 11 5/16 inches (220 x 287 mm)
Purchased by Pierpont Morgan, 1910; I, 256

Albrecht Dürer (1471–1528)
Design for Decoration in the Town Hall of Nuremberg, 1521
Pen and brown ink with watercolor, silhouetted and mounted on another sheet, probably by the artist
Signed with the artist's monogram and dated in wreath at lower center, 1521
10 1/16 x 13 13/16 inches (256 x 351 mm)
Purchased by Pierpont Morgan, 1910; I, 257

Albrecht Dürer (1471–1528)
Coat of Arms of Michael Behaim, ca. 1520
Woodcut
11 5/8 x 8 1/8 inches (295 x 206 mm)
Purchased by the Morgan Library, 1930; 2006.81

Original woodblock for Coat of Arms of Michael Behaim
Wood
11 1/8 x 7 3/4 inches (282 x 197 mm) Purchased by J. P. Morgan, Jr., 1926; AZ127

C. W. Eckersberg (Dutch, 1783–1853)
View over the Holmenskanal to the Stock Exchange, Christianborg, and the Slotskirken Copenhagen, 1846
Pen and black and brown ink, gray wash, over black chalk
The Morgan Library & Museum
Charles Ryskamp Bequest, 2010

Gerbrand van den Eeckhout (1621–1674)
Adoration of the Magi (Matthew 2:1–11)
Pen and brown ink, brown and gray washes, some opaque white, black and red chalks, and traces of graphite; traces of framing line in brown ink
6 3/16 x 6 inches (157 x 152 mm)
Purchased as the gift of the Fellows; 1970.1

Gerbrand van den Eeckhout (1621–1674)
Seated Youth Wearing a Hat, with His Chin Cupped in His Left Hand, ca. 1655
Brush and brown wash; framing line in brown ink
5 5/8 x 4 7/16 inches (142 x 112 mm)
Thaw Collection; 2006.49

Ignace-Henri-Jean-Théodore Fantin-Latour (1836–1904)
Portrait of Arthur Rimbaud (1854–1891), 1872
Brown and gray wash, with white bodycolor mixed with the wash in some places and used as heightening in others, on light brown paper; lined with a heavier board
Signed in pen and black ink at upper left, Fantin. 72
Full sheet: 7 1/16 x 5 5/8 in. (177 x 143 mm); reduced by the artist with framing line to 5 3/8 x 4 5/8 inches (138 x 115 mm)
Thaw Collection; EVT 61

Anthony Vandyke Copley Fielding (1787–1855)
The Head of Glencoe, North Argyll, Scotland, 1823
Watercolor, with touches of white heightening, over faint indications in pencil
Inscribed, signed with initials, and dated at lower right, in pen and brown ink, Head of GlenCoe. / C.F.1823
12 x 15 15/16 inches (306 x 404 mm)
Purchased on the E. J. Rousuck Fund; 1979.24

Attributed to Prospero Fontana (Bologna 1512–1597 Bologna)
Socrates Inspired by a Genius
Pen and brown ink, brown wash, over traces of black chalk; illusionistic frame in pen and brown ink, by the artist
4 3/4 x 3 5/8 inches (121 x 91 mm)
Gift of Professor Julius S. Held in honor of Felice Stampfle, 1992; 1992.24

Attributed to Prospero Fontana (Bologna 1512–1597 Bologna)
Two Alternative Designs for a Dish, One with a Battle of Marine Creatures, the Other with a Bacchanal
Pen and brown ink, brown wash; stylus indentations at right; composition silhouetted to a fan shape
Inscribed on made-up part at lower center, in pen and brown ink, Baldassare Peruzzi da Siena.
10 3/4 x 16 1/4 inches (271 x 408 mm)
Purchased by Pierpont Morgan, 1910; IV, 187

Jean-Honoré Fragonard (1732–1806)
The Sacrifice of Coresus
Black chalk, brush and brown wash
13 3/4 x 18 1/8 inches (347 x 465 mm)
Purchased by Pierpont Morgan in 1909; I, 288

Jean-Honoré Fragonard (1732–1806)
Interior of a Park: The Gardens of Villa d'Este
Gouache on vellum
7 3/4 x 9 1/2 inches (197 x 242 mm)
Thaw Collection; 1997.85

Jean-Honoré Fragonard (1732–1806)
Landscape with Flocks and Trees
Brush and brown wash, over graphite
13 9/16 x 18 3/8 inches (344 x 466 mm)
Purchased by Pierpont Morgan in 1907; III, 114

Francesco Francia (Francesco Raibolini, ca. 1450–ca. 1526)
Antique Scene of Sacrifice
Brush and brown ink, touches of heightening in white gouache, over traces of black chalk, on vellum; laid down on Ottley mount
11 1/2 x 8 3/4 inches (291 x 224 mm)
Inscribed on mount, beneath drawing, in pen and black ink, "Andrea Mantegna, / Pittore Padovano".
I, 95

Battista Franco (ca. 1510–1561)
Ceiling Design with the Story of the Slave Girls of Smyrna, ca. 1548
Pen and brown ink, brown wash; on a mount made for the Dukes of Devonshire, Chatsworth House
Inscribed above or below each scene, in pen and brown ink, with descriptions of the episodes depicted
14 3/4 x 9 7/8 (375 x 252 mm.)
Purchased as a gift of the Fellows, 1984; 1984.30

Henry Fuseli (1741–1825)
Portrait of Martha Hess, ca. 1778–79
Black chalk, stumped, heightened with white chalk, on light brown paper
20 3/8 x 13 7/8 inches (518 x 356 mm)
Purchased as the gift of Mrs. W. Murray Crane; 1954.1

Thomas Gainsborough (1727–1788)
Wooded Landscape with Horsemen, Figures, and Bridge
Black chalk, stumped, heightened with white chalk
9 3/4 x 12 3/4 inches (247 x 324 mm)
Purchased by Pierpont Morgan, 1910; III, 61

Thomas Gainsborough (1727–1788)
Landscape with Group of Figures Resting on the Hillside
Brown chalk, gray and brown washes, and oil; varnished
8 3/4 x 12 3/16 inches (221 x 309 mm)
Purchased by Pierpont Morgan, 1910; III, 60

Thomas Gainsborough (1727–1788)
Landscape with a Decayed Willow over a Pool
Pencil
11 5/16 x 13 9/16 inches (288 x 345 mm)
Purchased by Pierpont Morgan, 1910; III, 47

Thomas Gainsborough (1727–1788)
Landscape with Horse and Cart, Figures, and Ruins
Black chalk, watercolor and oil on paper; varnished
Stamped in gold with monogram at lower left, TG 8 3/4 x 12 1/4 inches (222 x 311 mm)
Purchased by Pierpont Morgan, 1910; III, 55

Thomas Gainsborough (1727–1788)
Hilly Landscape with Cows on a Road
Black chalk, stumped, heightened with white chalk
11 x 14 9/16 inches (280 x 370 mm)
Purchased by Pierpont Morgan, 1910; III, 62

Lattanzio Gambara (1530–1574)
Massacre of the Innocents, 1567–71
Black and white chalk; incised with stylus, on two pieces of blue paper, faded to gray green
18 7/8 x 31 3/8 inches (478 x 797 mm.)
Gift of Janos Scholz, 1980; 1980.60

Paul Gauguin (1848–1903)
Te arii vahine (The Queen of Beauty or The Noble Queen), 1896–97
Watercolor, with pen and black ink, over black chalk
6 15/16 x 9 1/4 inches (176 x 235 mm)
Initialed by the artist at lower left, in black crayon, pg; inscribed at lower center, TE ARII VAHINE
Thaw Collection; 2006.55

Jacob de Gheyn (1565–1629)
Mountain Landscape
Pen and brown ink, over very faint indications in black chalk, on paper
11 1/2 x 15 5/16 inches (292 x 389 mm)
Purchased as the gift of the Fellows; 1967.12

James Gillray (1756–1815)
Dame Rat, and Her Poor Little Ones
London: Publish'd March 26th 1782 by J. Browning, Oxford Street
Bequest of Gordon N. Ray, 1987; 1986.172

James Gillray (1756–1815)
Matrimonial-Harmonics
Etching, hand colored
Image 254 x 358 mm, plate mark 257 x 361 mm
[London]: Published by H. Humphrey, 27 St James Street, 25 October 1805
Bequest of Gordon N. Ray, 1987; 1986.336

James Gillray (1756–1815)
And Catch the Living Manners as They Rise
Etching and aquatint, hand colored
300 x 231 mm, on sheet trimmed to plate mark, 351 x 248 mm [London]: Published by H. Humphrey, No. 18 Old Bond Street, 7 May 1794
Bequest of Gordon N. Ray, 1987; 1986.393
Peel Collection; Peel Volume 10, Number 197

William Gilpin (1724–1804).
From the album River-Views, Bays & Sea Coasts
Pen and brown ink, brown and gray-brown wash, over preliminary indications in graphite, on paper washed with ochre, 1781
Oval: 6 7/8 x 9 1/8 inches (167 x 234 mm)
Purchased as the gift of Mrs. Enid A. Haupt; 1978.39

Anne-Louis Girodet-Trioson (1767–1824)
Phaedra Confesses Her Love for Hippolytus to Oenone
Pen and brown ink, brown wash, heightened with white, over graphite
Signed with monogram at lower left, AL G INV, and signed again, in graphite, at lower left, GIRODET INV; inscribed at lower center, PHEDRE / Tu connais ce fils de l'amazone / Ce prince si longtems par moi meme opprimé / OENONE / Hippolyte! Grands Dieux!
Sheet: 13 5/16 x 9 3/16 inches (339 x 233 mm)
Purchased on the Edwin H. Herzog Fund, the Gordon Ray Fund, and as the gift of Mrs. John Hay Whitney; 1997.3

Thomas Girtin (1775–1802)
Melrose Abbey
Watercolor over graphite, ca. 1796–99
13 9/16 x 16 9/16 inches (344 x 422 mm)
Inscribed on back of lining, in pen and brown ink, Melrose Abbey / on the Tweed
Purchased as a gift of Paul Mellon; 1978.22

Francisco Goya (1746–1828)
Muy accordes (They’re very much in harmony)
Brush and india ink, with scraping; inscribed by the artist in black crayon
Inscribed by the artist at lower center in pencil, "Muy acordes". Numbered by the artist at upper center in pen and brown ink, 50; numbered by Javier Goya at upper right, 63
10 7/16 x 7 1/4 inches (265 x 185 mm)
Thaw Collection, The Pierpont Morgan Library, Gift in honor of Mr. János Scholz on the occasion of his eightieth birthday; 1984.1

Francisco Goya (1746–1828)
Feria en Bordeaux
Black chalk on light green paper
Inscribed and numbered by the artist at upper center, in black crayon, feria en – / Bordeaux, at upper right, 39
7 9/16 x 5 15/16 inches (192 x 150 mm)
Gift of Gertrude Weyhe Dennis in honor of Felice Stampfle on the occasion of the 75th anniversary of the Morgan Library and the 50th anniversary of the Association of Fellows; 1999.20

Francisco Goya (1746–1828)
Dejalo todo a la probidencia (Leave It All to Providence)
Brush and black wash
Inscribed by the artist at lower center, in pencil, Dejalo todo a la probidencia; numbered at upper center in pen and brown ink, 40
10 1/2 x 7 1/4 inches (267 x 184 mm)
Thaw Collection; 1999.22

Francisco Goya (1746–1828)
Confianza. Recto: Solo Porque le pregunta, si esta buena su madre se pone como un Tigre.
Point of brush on gray wash; traces of a pink paper mount, on paper
Inscribed by the artist along lower edge, in brush and gray wash, Confianza numbered by Javier Goya at upper left, 70
9 1/4 x 5 3/4 inches (235 x 147 mm)
Thaw Collection, The Pierpont Morgan Library; EVT 84v

Jean-Baptiste Greuze (1725–1805)
Anacreon in His Old Age Crowned by Love, before 1762
Pen and black ink, touches of brown ink, black wash, heightened with white tempera, over graphite, on brown paper
Signed at lower left in brown ink, Greuze; inscribed by the artist on the mount, Anacreon couronné par l'amour dans la viellesse Greuze.
12 3/8 x 16 1/8 inches (314 x 407 mm)
Bequest of Therese Kuhn Straus in memory of her husband, Herbert N. Straus; 1977.57

Jean-Baptiste Greuze (1725–1805)
Portrait of Denis Diderot (1713–1784), 1766
Black chalk, stumped, and white chalk, worked wet, with touches of gray chalk, on brown paper
Signed at upper right in graphite, J. B. Greuze
14 1/4 x 11 1/16 inches (361 x 283 mm)
Purchased as the gift of John M. Crawford, Jr.; 1958.3

Red Grooms (b. 1937)
Rudy Burckhardt at Machu Picchu, 1974
Pencil and colored ink on paper.
Signed at bottom left, PaulGrooms and dated 1974
60 3/4 x 38 inches (1543 x 965 mm)
Gift of Lysiane Luong Grooms and Red Grooms; 2008.3
© 2013 Red Grooms / Artists Rights Society (ARS), New York

Francesco Guardi (1712–1793)
The Bucintoro on the Way to the Lido on Ascension Day
Pen and brown ink, with brown wash, over black chalk, on paper
Inscribed at lower left, in pen and brown ink, S. Nicolo de Lido Dà.j, S. Servolo Dà. 3, malamoco Dà.5 / S. Lasero Dà. 2, Chiosa Dà. 4 e, a key serving to identify sites numbered from 1 to 5 on the drawing.
16 3/4 x 27 5/8 inches (426 x 702 mm)
Purchased from the Estate of Therese Kuhn Straus; 1978.15

Francesco Guardi (1712–1793)
View of Levico in the Valsugana
Pen and brown and black ink, brown wash, over black chalk
16 13/16 x 25 inches (426 x 635 mm)
The Morgan Library & Museum, New York
Thaw Collection

Francesco Guardi (1712–1793)
Ascent of a Balloon in Venice
Black chalk on paper.
9 7/16 x 9 13/16 inches (240 x 249 mm)
The Morgan Library & Museum, New York
Thaw Collection

Guercino (Giovannirancesco Barbieri, 1591–1666)
Saint Adoring the Virgin and Child
Pen and brown ink, with brown wash, over black chalk, on paper; squared for transfer in black chalk
15 3/4 x 10 1/2 inches (400 x 267 mm)
IV, 168a

Giovanni Guerra (Modena 1544–1618 Rome)
Shadrach, Meshach, and Abednego Saved from the Fiery Furnace
Pen and brown ink, brown wash, over traces of black chalk
Inscribed at lower center, in pen and brown ink, F. Zucaro.
7 3/4 x 8 3/4 inches (197 x 222 mm)
Purchased as the gift of the Fellows, 1965; 1965.3

Martin van Heemskerk (1498–1574)
The Phlegmatic Temperament: Luna, 1565
Pen and brown ink, over black chalk, on paper
Signed and dated at the lower left, Heemskerck inventor 1565 (the data some distance from the name); numbered, to the left of the date, possibly also by the artist, 4. On verso, in an old (seventeenth century?) Dutch script, in black chalk, no 25/3–/ van heemskerck.
8 1/4 x 9 7/16 inches (210 x 240 mm)
Purchased on the Fellows Fund; 1986.7

Francisco de Herrera (1627–1685)
Design for a Processional Sculpture of The Vision of St. John on Patmos, with Five Variant Plans. Verso: Sketches of a Seated Male Nude, Ornament Designs, and a Seated Figure
Pen and brown ink, with brown wash, over metalpoint, on paper
Inscribed in pen and brown ink in the plan at lower left, D[on] fran.co de herrera; in faint black chalk at upper left above figure, herrera.
10 3/4 x 7 13/16 inches (273 x 198 mm)
Purchased as the gift of Walter C. Baker; 1960.12

Francisco de Herrera (1627–1685)
Sketches of a Seated Male Nude, Ornament Designs, and a Seated Figure. Recto: Design for a Processional Sculpture of The Vision of St. John on Patmos, with Five Variant Plans.
Pen and brown ink, with brown wash, over metalpoint, on paper
10 3/4 x 7 13/16 inches (273 x 198 mm)
Purchased as the gift of Walter C. Baker; 1960.12v

Jacob Hoefnagel (1575–ca. 1630)
Orpheus Charming the Animals
Watercolor and gouache, heightened with white gouache, over traces of black chalk, on vellum mounted on panel, bordered in gold
Signed and dated at lower left in gold, Ja: Houfnagl / 1613.
6 9/16 x 8 1/4 inches (166 x 210 mm)
Purchased on the Sunny Crawford von Bülow Fund 1978; 1998.22

Karl Hubbuch (1891–1979)
The Film Star Spends Two Minutes in Her Parents' Garden, ca. 1932
Reed pen and India ink heightened with white on wove paper
Signed at lower left in black ink, Hubbuch
25 1/4 x 20 7/8 inches (640 x 531 mm)
The Morgan Library & Museum, Bequest of Fred Ebb, 2005.136

Nicolas Hüet, the Younger (1770–1828)
Study of the Giraffe Given to Charles X by the Viceroy of Egypt, 1827
Watercolor and some gouache, over traces of black chalk
Signed and dated, in pen and brown ink, at lower left, hüet 1827; numbered for scale at lower right, 1/16.
10 1/16 x 7 5/8 inches (254 x 194 mm)
Purchased on the Sunny Crawford von Bülow Fund, 1978; 1994.1

Victor Hugo (1802–1885)
Château fantastique au crépuscule, 1857
Pen, brush, brown and black ink, and stump, with touches of white gouache on cream paper
Signed and dated in white gouache at lower center, Victor Hugo–Guernsey. 1857
12 5/16 x 9 5/16 inches (310 x 460 mm)
Thaw Collection, The PierpMorgan Library & Museum; EVT 94

Jean Auguste Dominique Ingres (1780–1867)
Frau Reinhold and Her Daughters,
Susette-Marie and Marie-Auguste-Friederike
, 1815
Graphite
Signed, inscribed, and dated in graphite at lower right,
Ingres Del. Rome 1815.
11 15/16 x 8 13/16 inches (303 x 225 mm)
Thaw Collection; 2010.112

Jean-Auguste-Dominique Ingres (1780–1867)
Portrait of Adolphe-Marcellin Defresne, 1825
Graphite
Signed and dated in graphite at lower right, Ingres Del. 1825.
16 15/16 x 11 9/16 inches (428 x 292 mm)
Thaw Collection

Jean-Auguste-Dominique Ingres (1780–1867)
Portrait of a Boy, ca. 1793–94
Graphite, with red and green watercolor
Signed in graphite, Ingres.
Diameter: 4 3/4 inches (106 mm)
Purchased on the Sunny Crawford Von Bülow Fund 1978; 1982.2

Jean-Auguste-Dominique Ingres (1780–1867)
Study for Oedipus and the Sphinx, 1808
Graphite, marked with compass points, and squared for transfer
19 15/16 x 15 3/8 inches (507 x 390 mm)
Gift of the Ian Woodner Family Collection In Honor of the Seventy-fifth Anniversary of the Morgan Library, 1999; 1999.33

Jean-Auguste-Dominique Ingres (1780–1867)
Portrait of Hippolyte-François Devillers, 1812
Graphite
Signed, inscribed, and dated in graphite at lower right,
Ingres. a rome / 1812.
9 x 6 9/16 inches (228 x 166 mm.)
Thaw Collection

Jean-Auguste-Dominique Ingres (1780–1867)
Portrait of Mlle Joséphine Nicaise-Lacroix, 1813
Graphite
Signed, inscribed, and dated in graphite at the lower left,
Ingres 1813 Rome.
10 1/8 x 7 7/8 inches (259 x 200 mm.)
Purchase, 1942; III 124b

Jean-Auguste-Dominique Ingres (1780–1867)
View of Santa Maria Maggiore, ca. 1813–14
Graphite, pen and brown ink, brown wash
Signed and inscribed in graphite below at center, Ingres à Adele.
7 1/8 x 9 9/16 inches (182 x 243 mm)
Thaw Collection

Jean-Auguste-Dominique Ingres (1780–1867)
Portrait of Lady Glenbervie, née Catherine Anne North, 1816
Graphite
Signed, inscribed, and dated in graphite at lower right, Ingres Del. a / Rome 1816.
8 1/4 x 6 1/2 inches (210 x 165 mm)
Bequest of Mrs. Jacob M. Kaplan, 1998; 1998.19

Jean-Auguste-Dominique Ingres (1780–1867)
Portrait of Charles-Désiré Norry, 1817
Graphite
Signed, inscribed, and dated in graphite, Ingres à / Mr Norry / Pere. / rome / 1817.
7 13/16 x 5 13/16 inches (198 x 148 mm)
Purchased as the gift of Mr. and Mrs. Claus Von Bülow, 1977; 1977.37

Jean-Auguste-Dominique Ingres (1780–1867)
Portrait of Mme Adolphe-Marcellin Defresne, née Sophie Leroy, 1826
Graphite
Signed and dated in graphite at lower left, Ingres. Del. 1826.
17 1/4 x 12 inches (436 x 305 mm)
Thaw Collection

Jean-Auguste-Dominique Ingres (1780–1867)
Studies of Legs, Hands, and the Profile of a Head for The Martyrdom of St. Symphorien, 1825–34
Black chalk and graphite, partially squared for transfer
Signed and inscribed at lower right, Ingres; inscribed at upper right in black chalk, pour le ... / clair demiteinte rouge / chaud fort clair pas / autant les angles / blancs / 1 / 2 / 3 / 4 / clair.
12 5/8 x 7 7/8 inches (325 x 199 mm)
Purchased as the gift of Mrs. Charles Wrightsman, 1985; 1985.99

Jean-Auguste-Dominique Ingres (1780–1867)
Study for the Mounted Centurion in The Martyrdom of St. Symphorien, 1825–34
Graphite
Signed and inscribed in graphite, J. Ingres pour le St. Symporien.
12 5/8 x 7 7/8 inches (325 x 199 mm)
Thaw Collection

Jean-Auguste-Dominique Ingres (1780–1867)
Odalisque and Slave, 1839
Graphite, black and white chalk, gray and brown wash
Signed, inscribed, and dated in graphite at lower left, J. INGRES / ROM. 1839.
13 3/16 x 18 1/4 inches (335 x 462 mm)
Thaw Collection

Jean-Auguste-Dominique Ingres (1780–1867)
Portrait of Marcotte Genlis, 1852
Graphite, heightened with white chalk, on light brown paper
Signed, inscribed, and dated at lower left, J Ingres Del / 1852; at lower right in graphite, à son ami / M. Marcotte Genlis.
14 x 11 1/4 inches (355 x 285 mm.)
Thaw Collection

Jean-Auguste-Dominique Ingres (1780–1867)
Portrait of Sylvester Douglas, Lord Glenbervie, 1816
Graphite
Signed, inscribed, and dated in graphite at lower left, Ingres Del / a Rome / 1816.
8 1/4 x 6 7/16 inches (210 x 164 mm)
Bequest of Mrs. Jacob M. Kaplan, 1998; 1998.20

Inigo Jones (1573–1652)
Design for the Scene of Whitehall with the Banqueting House, ca. 1622
Pen and brown ink, over traces of graphite and stylus; squared for transfer in graphite and brown ink
Inscribed by the artist at upper left, in pen and brown ink, Whitehall Gate.; at upper center, Bancquet House.
14 7/8 x 24 1/2 inches (380 x 625 mm)
Purchased as the gift of Mrs. Charles Wrightsman; 1984.29

Jacob Jordaens (1593–1678)
Christ among the Doctors: Luke 2:46–47
Watercolor and bodycolor in blue, red, ochre, green, brown, gray, and white, with pen and brown ink, over red and black chalk, on paper; slight sketch of half-length figure in red chalk, at upper center, in opposite direction; framing line in brown ink; sheet extended on both sides with vertical strips.
17 5/16 x 13 1/16 inches (440 x 332 mm)
III, 170

Jacob Jordaens (1593–1678)
Portrait of a Young Woman, ca. 1635–40
Black chalk, brown and gray wash, with red chalk, and touches of pen and of brown ink, over traces of charcoal
16 1/2 x 10 15/16 inches (419 x 277 mm)
Purchased as the gift of the Fellows with the special assistance of a number of Fellows and Trustees in honor of Felice Stampfle; 1977.42

Ernst Ludwig Kirchner (1880–1938)
Figures on a Busy Street, 1914
India ink, watercolor, gouache, and reed pen on wove paper.
12 3/8 x 16 1/2 inches (313 x 420 mm)
Bequest of Fred Ebb; 2005.140

Franz Kobell (German, 1749–1822)

Landscape near Munich I, ca. 1800
Black-brown wash
The Morgan Library & Museum
Charles Ryskamp Bequest, 2010

Edward Lear (1812–1888)
View of the Forest of Valdoniello, Corsica
Watercolor, heightened with white tempera, over some pencil, including 12 vertical, equally spaced ruled lines, on gray wove paper mounted by the artist on pasteboard
Signed at lower left in brush and black ink, with monogram EL; inscribed (by the artist?), on mount, below, in pen and black ink, [FOR]EST OF VALDONIELLO; in pencil, VALDONIELLO;
11 5/8 x 18 1/4 inches (295 x 464 mm)
Purchased as the gift of Mr. and Mrs. Richard Salomon; 1977.19

Edward Lear (1812–1888)
Parakeet in Flight
Watercolor, over some pencil, on wove paper
7 x 9 1/8 inches (178 x 234 mm)
Gift of Mrs. Vincent Astor; 1977.23

Edward Lear (1812–1888)
View of Palermo
Pen and brown ink, watercolor and gouache, some white heightening, over pencil
Inscribed and dated at lower right, in pen and brown ink, Palermo / 15.12. july. 1847; color notes in pencil throughout
10 1/4 x 17 5/16 inches (260 x 440 mm)
Collection of Patricia and Henry Tang

Edward Lear (1812–1888)
Panoramic View of Tivoli with a Group of Peasants in Foreground
Black chalk, some stumping, heightened with white gouache, over faint preliminary indications in red chalk, on gray wove paper
Inscribed, signed, and dated by the artist, in black chalk at lower left, Tivoli, and at lower right, Edward Lear del. / 1839
11 3/16 x 17 5/16 inches (291 x 440 mm)
Thaw Collection; 1972.12

Edward Lear (1812–1888)
View of Celano
Watercolor, pen and red ink, over faint indications in pencil, heightened with white, on gray wove paper
Corners cropped diagonally
Inscribed and dated by the artist, in pen and red ink at lower left, Celano. / 2d September. 1843., and at lower right, low vines
11 x 19 1/16 in. (280 x 484 mm)
Purchased as a gift of Mr. and Mrs. Charles F. Morgan; 1977.20

Sir Peter Lely (1618–1680)
Portrait of a Lady
Black and white chalk, touches of red chalk, on gray paper
Signed and dated in black chalk, P Lely (the initials in monogram) / 1658
9 1/2 x 7 3/4 inches (241 x 196 mm)
Purchased by Pierpont Morgan, 1909, III, 201

Louis Nicolas de Lespinasse (1734–1808)
View of Two Banks of the Seine, Paris
Pen and brown ink and watercolor, heightened with white, over preliminary drawing in graphite; fine ruled border in pen and black ink
12 7/8 x 24 13/16 inches (326 x 630 mm)
Purchased on the Lois and Walter C. Baker Fund; 1994.17

Jan Lievens (1607–1674)
Portrait of a Man
Black chalk; framing line in brown ink
Signed with monogram at lower right, in black chalk, IL
9 5/8 x 7 5/8 inches (244 x 195 mm)
Gift of Benjamin Sonnenberg; 1976.49

Attributed to Thomas da Modena (1325/6-1379)
Sketchbook, 1360–80
Pen and brown ink, with brown wash and some watercolor, on parchment
9 1/8 x 6 7/8 inches (232 x 176 mm)
Gift of J. P. Morgan, Jr., 1924; II, 2–25 (folio 12)

Attributed to Thomas da Modena (1635/6-1379)
Sketchbook, 1360–80
Pen and brown ink, with brown wash and some watercolor, on parchment
9 1/8 x 6 7/8 inches (232 x 176 mm)
Gift of J. P. Morgan, Jr., 1924; II, 2–25 (folio 2v)

Claude Gellée, called Claude Lorrain (1600–1682)
Studies of Deer
Point of brush and brown ink and brown and gray wash, heightened with white (partly oxidized), on paper
8 1/8 x 8 inches (205 x 203 mm)
Signed and inscribed at lower right in pen and brown ink, Claudio fecit / in bourghese
Purchased on the Lois and Walter C. Baker Fund and the Edwin H. Herzog Fund and as the gift of Salle and James M. Vaughn, Jr.; 2004.31

Claude Gellée, called Claude Lorrain (1600–1682)
Heroic Landscape
Black chalk, pen and brown ink, brown, gray and some blue wash, on paper.
10 1/16 x 15 11/16 inches (254 x 396 mm)
Thaw Collection, The Pierpont Morgan Library; EVT 29r

Girolamo Macchietti (1535–1592)
Allegory of Charity with Five Children, 1560s/70s
Pen and brown ink and wash, heightened with white gouache, on paper washed green
Inscribed in brown ink at lower right, Beccafumo
10 15/16 x 8 3/8 inches (278 x 213 mm)
Gift of Helen-Mae and Seymour Askin, Jr. in honor of Charles E. Pierce, Jr.'s tenure as director; 2007.71

Thomas Malton, the Elder (1726–1801)
A Rotunda in a Colonnaded Courtyard
Pen and black ink, gray-brown wash, touches of white heightening, over traces of graphite; incised with a stylus
9 3/4 x 8 15/16 inches (247 x 225 mm)
Watermark: coat of arms with hunting horn and letters GR (close to Heawood 2754)
Purchased on the E. J. Rousuck Fund; . 1976.30

William Marlow (1740–1813)
Coastal Scene with a Ruin and a Fortified Town
Pen and gray ink, gray wash, and watercolor, with traces of black chalk
6 5/16 x 9 3/8 inches (160 x 238 mm)
Gift of William M. Voelkle; 1992.11

Niccolò Martinelli, called Trometta (Pesaro ca. 1540–1611 Rome)
St. Matthew, Seated, with an Angel, and Two Small Sketches for the Same Figure
Pen and brown ink, brown wash, heightened with white gouache, on gray-brown paper; squared in red chalk; two small sketches in pen and black ink
Inscribed at lower right, in graphite, Farinat[i]; at lower center, in black chalk, 16.
16 x 10 3/8 inches (405 x 264 mm)
Purchased as the gift of the Fellows, 1962; 1962.17

Master of the Herpin Manuscript (fl. 1480
The Scene at Golgotha before the Crucifixion
Pen and black ink on paper
Inscribed at lower left in pen and brown ink, L; at lower right right in pen and brown ink, Lambertus Lombardus 1550; collector's stamp of Lionel Lucas at bottom center
9 3/16 and 7 13/16 inches (234 x 198 mm)
Purchased as the gift of the Fellows; 1950.1

Daguerreotype of Edgar Allan Poe by Masury & Hartshorn, [Providence, Rhode Island, November 1848]
Purchased by Pierpont Morgan, 1909; AZ094
Image: 2 11/16 x 1 15/16 inches (73 x 48 mm)

This is one of five extant daguerreotypes of the so-called Ultima Thule image of Poe, taken the year before his death.

Charles Maurin (French, 1856–1914)
Nurse Seated on a Park Bench
Black chalk and white chalk, on blue paper
The Morgan Library & Museum
The Joseph F. McCrindle Collection

Maria Sibylla Merian (Dutch, 1647–1717)
Black Tegu Lizard
Pen and black ink, watercolor and gouache, on vellum
13 x 17 in. (329 x 430 mm)
Purchased on the Sunny Crawford von Bülow Fund 1978; 2001.10

Michelangelo Buonarroti (1475–1564)
David Slaying Goliath, Four sketches
Black chalk
a: 2 5/8 x 4 3/8 inches (68 x 11 mm); b: 2 1/16 x
3 1/4 inches (52 x 82 mm); c: 2 x 2 11/16 inches
(50 x 68 mm); d: 2 13/16 x 3 1/2 inches (71 x 88 mm)
Gift of J. P. Morgan, Jr.; I, 32a-d

Jean François Millet (1814–1875)
Head of a Boy. Recto: The Potato Harvest
Black chalk, stumped with some white
9 x 13 3/4 inches (229 x 349 mm)
Thaw Collection, The Pierpont Morgan Library; EVT 118v

Jean François Millet (1814–1875)
The Potato Harvest (La Récolte des Pommes de Terre) Verso: Head of a Boy
Black chalk, stumped , heightened with white chalk on rough oatmeal paper
9 x 13 3/4 inches (229 x 349 mm)
Signed in black chalk at lower right, J.F. Millet
Thaw Collection; 2010.114

Bartolomeo Montagna (Orzinuovi, near Brescia, ca. 1449–1523 Vicenza)
Drunkenness of Noah
Pen and brown ink, blue and purple wash, over traces of black chalk, on vellum
Inscribed at lower right, in pen and brown ink, albordür[er] [i.e., Alberto Dürer].
Purchased by Pierpont Morgan, 1909

Bartolomeo Montagna (ca. 1450–1523)
Nude Man Standing Beside a High Pedestal
Point of brush and black ink, brown wash, heightened with off-white gouache, over traces of black chalk, on blue paper faded to brown
15 3/4 x 10 1/8 inches (400 x 258 mm)
Gift of Otto Manley; 1974.1

Pieter Mulier, (1637–1701)
Two Recumbent Goats and a Third Standing, seventeenth century
Red chalk
7 1/2 x 9 inches (191 x 229 mm)
Purchased by Pierpont Morgan, 1910; III, 219a

Bartolomé Esteban Murillo (1617–1682)
The Immaculate Conception
Pen and brown ink, brown wash, over traces of black chalk
Signed (?) at lower left, in brown ink, Murillo ft.; numbered at upper right, 116
13 1/8 x 9 inches (333 x 229 mm)
Gift of J. P. Morgan, Jr., 1924; I, 111

Girolamo Muziano (Brescia 1532–1592 Rome)
Capture of Christ
Black chalk, heightened with white gouache, on blue paper; squared in red chalk
Inscribed at lower left, in pen and brown ink, P. vago; at lower right, in pen and brown ink, 60.R.
9 3/8 x 9 5/8 inches (235 x 244 mm)
Gift of Janos Scholz, 1979; 1979.5

Charles Joseph Natoire (1700–1777)
A View of the Top of the Cascade at the Villa Aldobrandini, Frascati, 1762
Pen and brown ink, brown wash, black and red chalk, heightened with white, on blue paper; partial ruled border in black chalk
Inscribed by the artist in pen and brown ink, at lower center, il didietro de la Cascata; signed and dated at lower right, C. Natoire 1762.
12 1/4 x 19 7/8 inches (311 x 500 mm)
Bequest of Miss Alice Tully; 1996.64

Charles Joseph Natoire (1700–1777)
The Cascade at the Villa Aldobrandini, Frascati, 1762
Pen and brown and black ink, brown wash, black and red chalk, heightened with white, on light brown paper
Inscribed by the artist in pen and brown ink, at lower left, Belvedere di Fescati; signed and dated at lower right, C. Natoire 1762.
12 x 18 1/2 inches (305 x 469 mm)
Purchased as the gift of the Fellows; 1965.18

Charles-Joseph Natoire (1700–1777).
The Cascade at the Villa Aldobrandini, Frascati
Pen and brown and black ink, brown wash, black and red chalk, heightened with white, on light brown paper, 1762
Purchased as the gift of the Fellows; 1965.18

Bruce Nauman
(American, born in Fort Wayne, Indiana, 1941)

Untitled (Study for Diamond Mind II), 1975
Graphite on paper
Inscription: Diamond Mind/Circle of Tears/Fallen All Around me/Fallen Mind/Mindless Tears/Cut like a Diamond/Layout -/12 pc. stone 7 1/2° Rhomboids/Granite 15" on a side
30 5/8 x 39 7/8 inches (778 x 1013 mm)
Gift of the Modern and Contemporary Collectors' Committee, 2008; 2008.10
Courtesy Sperone Westwater, New York.
© 2008 Bruce Nauman / Artists Rights Society (ARS), New York

Cesare Nebbia (Orvieto ca. 1536–ca. 1614 Orvieto)
St. Susanna Refusing to Sacrifice to a Pagan God, ca. 1595
Pen and brown ink and brown wash; squared for transfer in red chalk
Purchased on the Edwin H. Herzog Fund, 1999; 1999.13

Cesare Nebbia (Orvieto ca. 1536–ca. 1614 Orvieto)
St. Paul on Malta, ca. 1580
Pen and brown ink, brown wash, over black chalk
Joseph F. McCrindle collection, Morgan Library & Museum, 2009; 2009.221
Photography by Graham Haber, 2009

Emil Nolde (1867–1956)
Conferencier, ca. 1910–11
Brush with ink and watercolor on Japan paper
11 1/2 x 5 7/8 inches (292 x 150 mm)
The Morgan Library & Museum, Bequest of Fred Ebb; 2005.151

Jean-Baptiste Oudry (1686–1755)
Meeting at the Carrefour du Puits du Roi, Compiègne forest, or Le Botté du Roi (The Booting of the King), ca. 1733
Pen and point of brush and black ink and gray wash, over black chalk, heightened with white, on blue paper faded to light brown
Signed in pen and black ink, at lower left, J B Oudry.
12 9/16 x 20 9/16 inches (213 x 522 mm)
Purchased on the Edwin H. Herzog Fund with the special assistance of the International Music and Art Foundation; 1995.10

Jacopo Palma il Giovane (1544–1628), attributed to
Pietá with Two Angels and the Virgin Verso: Woman Turned to the Left, Standing by a Table, Holding a Vessel
Brush and brown ink, heightened with white gouache, over black chalk, on light brown paper
9 7/8 x 6 7/8 inches (250 x 175 mm)
Gift of Mr. Janos Scholz; 1982.46

Jacopo Palma il Giovane (1544–1628)
Woman Turned to the Left, Standing by a Table, Holding a Vessel. Recto: Pietà with Two Angels and the Virgin
Pen and brown ink, some brown wash, traces of white gouache heightening, over black chalk
9 7/8 x 6 7/8 inches (250 x 175 mm)
Gift of Mr. Janos Scholz; 1982.46

Samuel Palmer (1805–1881)
The Villa d'Este at Tivoli from the Cypress Avenue
Black chalk and watercolor, heightened with white, on blue-gray paper, 1838
Inscribed in pencil at lower left, Villa d'Este Tivoli - drawn on the spot; at left margin, Termination of the clusters in / shadow were soft and fluffy like / these.
18 x 12 9/16 inches (457 x 319 mm)
Purchased as the gift of the Fellows; 1962.18

Attributed to Bernardino Parenzano (ca. 1450–ca. 1500)
Roman Triumphal Procession with Elephant
Pen and brown ink
12 13/16 x 16 3/8 inches (325 x 416 mm.)
Inscribed at lower right, in pen and brown ink, Pietro di St. Sepulcro.
Gift of Janos Scholz, 1981; 1981.87

Parmigianino (Girolamo Francesco Maria Mazzola; 1503–1540)
Prometheus Animating Man, ca. 1524–27
Pen and brown ink, brown wash, over black chalk
5 3/8 x 6 1/16 inches (135 x 154 mm)
Purchased by Pierpont Morgan, 1909; IV, 45

Parmigianino (Girolamo Francesco Maria Mazzola; 1503–1540)
Three Studies of Putti
Pen and brown ink (all three studies), brown wash (studies at left and center), over red chalk (study at center); squared in black chalk (study at left)
6 1/8 x 6 1/8 inches (157 x 156 mm)
Gift of J. P. Morgan, Jr., 1924; I, 49

Parmigianino (Girolamo Francesco Maria Mazzola; 1503–1540)
Pietà, after Michelangelo
Pen and dark brown ink, gray-brown wash, over black chalk, with some red chalk
11 7/16 x 8 1/2 inches (290 x 214 mm)
Purchased by Pierpont Morgan, 1910; I, 47

Parmigianino (Girolamo Francesco Maria Mazzola; 1503–1540)
Interior of a Painter’s Studio
Pen and brown ink on paper; framing lines in pen and black ink
5 1/2 x 4 7/8 inches (141 x 125 mm)
Inscribed at lower right, in pen and brown ink, "parmesan".
Gift of J. P. Morgan, Jr., 1924; IV, 46

Pellegrino Tibaldi (Puria di Valsolda 1527–1596 Milan)
Two Seated Barbarian Captives
Pen and brown ink, brown wash, and white gouache, over black chalk
10 7/8 x 15 9/16 inches (274 x 395mm)
Purchased by Pierpont Morgan, 1909; I, 37

Perino del Vaga (Florence 1501–1547 Rome)
Miracle of the Loaves and Fishes
Pen and brown ink, brown wash, heightened with white gouache, over black chalk; cut to a circle
8 3/8 inches (213 mm) diameter
Purchased by Pierpont Morgan, 1910; I, 21

Baldassarre Peruzzi (Ancaiano, near Siena 1481–1536 Rome)
Holy Family with Saints
Pen and brown ink, brown wash
Inscribed at lower left, in pen and brown ink, titiano (partially effaced)
7 3/8 x 5 5/8 inches (189 x 142 mm)
Purchased by Pierpont Morgan, 1910; I, 44

Circle of Baldassare Peruzzi (Ancaiano 1481–1536 Rome)
Moses Striking Water from the Rock, ca. 1520–40
Pen and brown ink, brown wash, heightened with white gouache, on brown washed paper
10 1/4 x 15 11/16 inches (261 x 398 mm)
Purchased by Pierpont Morgan, 1910; IV, 19

Giovanni Battista Piazzetta (1682–1754)
Young Woman with Tambourine
Black chalk, heightened with white chalk, on paper.
17 x 13 1/2 inches (432 x 343 mm.)
The Morgan Library & Museum, New York; IV, 90

Pablo Picasso (1881–1973)
Portrait of Marie-Thérèse Walter
Inscribed at upper left, in black ink, 28 juillet / XXXVI
20 3/16 x 13 3/8 inches (510 x 339 mm)
Thaw Collection; 2006,58

Jean-Baptiste-Marie Pierre ( 1714–1789)
Le Misanthrope, Act II, scene IV, ca. 1750–55
Pen and black ink, brush and gray wash, over black chalk, heightened with white gouache, on blue paper
Signed in pen and black ink at lower right, Pierre; inscribed in pen and black ink along lower margin, non morbleu, cest a vous; et vos ris complaisans LE MISANTROPE. tirent deson esprit tous ces trais medisans.
8 3/4 x 11 inches (220 x 280 mm)
Purchased as the gift of Joan Taub Ades and on the Lois and Walter C. Baker Fund; 2006.5

Giovanni Battista Piranesi (1720–1778)
Design for a Gondola
Pen and brown ink, over black chalk, on paper
11 11/16 x 26 7/8 (297 x 683 mm)
Bequest of Junius S. Morgan and the gift of Henry S. Morgan; 1966.11:10

Giovanni Battista Piranesi (1720–1778)
Longitudinal Section of San Giovanni in Laterano Beginning at Transept and Showing Proposed Scheme for Alteration of the Choir
Pen and brown ink, with brown wash, over graphite, on two sheets of paper pasted together
12 5/8 x 21 5/8 inches (321 x 549 mm)
Bequest of Junius S. Morgan and gift of Henry S. Morgan; 1966.11:56

Giovanni Battista Piranesi (1720–1778)
Design for Title Page with Scroll, Chain of Medallions, and Pulpit
Pen and brown ink, with brown wash, and pink watercolor, over black chalk, on paper
20 x 29 1/2 inches (508 x 749 mm)
Bequest of Junius S. Morgan and gift of Henry S. Morgan; 1966.11:8

Polidoro da Caravaggio (Caravaggio ca. 1495–ca. 1543 Messina)
Christ on the Mount of Olives
Pen and brown ink, brown wash, heightened with white gouache, over black chalk, on blue paper, faded to gray green; squared for transfer in black chalk
Gift of Janos Scholz, 1979; 1979.55
Photography by Graham Haber, 2009

Polidoro da Caravaggio (Caravaggio ca. 1495–ca. 1543 Messina)
Condemnation of Perillus
Pen and brown ink, brown wash, heightened with white gouache, over black chalk, on light brown paper
6 1/2 x 9 1/8 inches (165 x 232 mm)
Purchased by Pierpont Morgan, 1909; I, 20

Jackson Pollock (1912–1956)
Untitled, 1943
Pen and black ink, gray and black wash, gouache, and red chalk
Signed at bottom center, Jackson Pollock / for P. Go.
18 7/8 x 24 3/4 inches (479 x 613 mm)
Thaw Collection; 2006.59

© 2004 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Jacopo Carucci Pontormo (1494–ca. 1556)
Striding Nude with Arms Raised
Black and red chalk, traces of white chalk heightening
15 15/16 x 8 3/4 inches (405 x 224 mm)
Purchased as the gift of the Fellows with the special assistance of Mrs. Carl Stern and Mr. Janoz Scholz; 1954.4

Giovanni Antonio de Sacchis (Il Pordenone) (ca. 1483–1539)
Conversion of St. Paul, early 1530s
Pen and brown ink, brown wash, heightened with white gouache, over traces of black chalk, on blue paper faded to green gray
10 3/4 x 16 1/8 inches (272 x 410 mm.)
Gift of J. P. Morgan, Jr., 1924; I, 70

Jacques-André Portail (1695–1759)
Lady Sketching at a Table
Black and red chalk, brush and gray wash, with touches of pink and blue watercolor
10 1/16 x 8 3/8 inches (255 x 212 mm)
Purchased by Pierpont Morgan in 1907; III, 98a

Nicolas Poussin (1594?–1665)
The Death of Hippolytus
Pen and brown ink, brown wash, over black chalk on paper
8 7/8 x 13 1/16 inches (224 x 332 mm)
Gift of J. P. Morgan Jr., 1924; I, 267

Samuel Prout (1783–1852)
View of Bamberg, from the Ludwigskanal
Pencil
Inscribed by the artist, in pencil, at lower center, x from which Genal Berthier fell; at right, Bamberg.
10 3/16 x 16 in. (259 x 408 mm)
Purchased as the gift of Mr. and Mrs. Charles F. Morgan; 1988.2

Samuel Prout (1783–1852)
The Castle at Heidelberg
Pencil
11 3/16 x 16 5/16 in. (285 x 430 mm)
Inscribed at lower left, in pencil, Heidelberg
Purchased as the gift of Countess Elsie Lee Gozzi; 1988.3

Pierre-Paul Prud'hon (1858-1823)
Female Nude
Black, white, and pale pink chalk, some stumping, on blue paper
23 3/16 x 12 7/16 inches (589 x 316 mm)
Thaw Collection; 1974.71

Pierre-Paul Prud'hon (1858-1823)
Study for a Portrait of Empress Joséphine, 1805
Black chalk, stumped in some areas, heightened with white, on blue paper; ruled in pen and black ink
9 3/4 x 11 7/8 inches (248 x 302 mm)
Bequest of Therese Kuhn Straus in memory of her husband, Herbert N. Straus; 1977.58

Raffaellino da Reggio (1550–1578)
The Apparition of the Angel to St. Joseph, ca. 1576
Pen and brown ink and brown wash, over red chalk
Inscribed at lower left, in pen and brown ink, Zuchero.
15 x 11 1/8 inches (381 x 282 mm)
Purchased in honor of Charles E. Pierce, Jr. by the Visiting Committee to the Department of Drawings & Prints through the generosity of Ildiko Butler, Diane A. Nixon, Andrea Woodner, Hamilton Robinson, Jr., Joan Taub Ades, Clement C. Moore II, Jayne Wrightsman, David M. Tobey, Eugene V. Thaw, George L.K. Frelinghuysen, Seymour and Helen Mae Askin, Catherine G. Curran, Melvin R. Seiden, Hubert and Mireille Goldschmidt, and Wheelock Whitney III; 2007.80

Circle of Raphael
Adoration of the Magi, ca. 1520
Pen and brown ink, brown wash, heightened with white gouache, over faint traces of black chalk
11 1/16 x 20 7/8 inches (281 x 530 mm)
Purchased by Pierpont Morgan, 1910; IV, 29a

Raphael (1483–1520)
Cardinal Aenes Sylvius Piccolomini Presents Eleanor of Portugal to Emperor Frederick III, ca. 1502–3
Pen and brown ink, brown wash, heightened with white gouache (partially lost and retouched), over black chalk and stylus indentations. Substantial losses and severely abraded.
Inscribed, possibly by the artist, near upper edge, left of center, in pen and brown ink, Questa e la quinta [st]oria de Papa [Pio].
20 7/8 x 15 3/8 inches (531 x 392 mm)
Bequest of Miss Alice Tully; 1996.9
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Raphael (Urbino 1483–1520 Rome)
Male Figure Symbolizing an Earthquake, 1515–16
Metalpoint, heightened with white, on gray prepared paper
4 1/2 inches (108 mm) diameter
Gift of Janos Scholz, 1977; 1977.45
Photography by Graham Haber, 2009.

Odilon Redon (1840–1916)
Young Girl in an Interior, 1905
Black pastel and brown and black charcoal on paper
19 5/8 x 14 1/8 inches (500 x 360 mm)
Signed at lower right, Odilon Redon
Thaw Collection; EVT 142

Odilon Redon (Bordeaux 1840–1916 Paris)
Mephistopheles
Charcoal with black and white chalk, stumped and erased, on light brown prepared paper
15 1/2 x 13 1/2 inches (394 x 343 mm)
Signed at lower right, Odilon Redon
Thaw Collection; 2010.120

Rembrandt Harmenszoon van Rijn (1606–1669)
The Three Trees
Etching, with drypoint and burin
7 15/16 x 11 inches (213 x 279 mm)
Gift of J. P. Morgan, Jr., 1924; B. 212, RvR 299

Rembrandt Harmenszoon van Rijn (1606–1669)
Two Studies of Saskia Asleep
Pen and brown ink, brown wash; traces of framing line
5 1/8 x 6 3/4 inches (130 x 171 mm)
Gift of J. P. Morgan, Jr., 1924; I, 180

Rembrandt Harmenszoon van Rijn (1606–1669)
Four Musicians with Wind Instruments, ca. 1638
Pen and brown ink, brown wash, some red and yellow-ochre chalk
7 1/16 x 5 1/4 inches (179 x 135 mm)
Thaw Collection; 2004.42

Rembrandt Harmenszoon van Rijn (1606–1669)
Beggar Man and Woman Behind a Bank, ca. 1630
Etching, drypoint, and burin, state V
3 7/16 x 2 6/8 inches (98 x 68 mm)
Gift of J. P. Morgan, Jr., 1924; RvR 240

Rembrandt Harmenszoon van Rijn (1606–1669)
Christ Crucified Between Two Thieves
("The Three Crosses"), 1653
Drypoint and burin, state I
385 x 450 mm
Gift of J. P. Morgan, Jr., 1924; RvR 122

Rembrandt Harmenszoon van Rijn (1606–1669)
Self-Portrait, Drawing at a Window, 1648
Etching, drypoint and burin, state II
Signed and dated, Rembrandt f 1648
160 x 130 mm
Gift of J. P. Morgan, Jr., 1924; RvR 28

Rembrandt Harmensz. van Rijn, (1606–1669)
Forequarters of an Elephant, ca. 1637
Counterproof in black chalk
7 5/8 x 7 7/16 inches (194 x 189 mm)
Purchased by Pierpont Morgan, 1910; I, 205

Rembrandt Harmenszoon van Rijn (1606–1669)
Self-Portrait in a Cap, 1630
Etching, only state
51 x 46 mm
Gift of J. P. Morgan, Jr., 1924; RvR 442

Rembrandt Harmenszoon van Rijn (1606–1669)
The Mocking of Christ, ca. 1650/53
Pen and brown ink on paper
6 3/16 x 8 9/16 inches (156 x 217 mm)
Gift of J.P. Morgan, Jr. 1924; I, 189

Guido Reni (1575–1642)
Torso
Black chalk, heightened with white chalk, on gray paper
14 5/8 x 9 15/16 inches (371 x 252 mm)
Inscribed on verso of an old lining, in pen and brown ink, Guido Reni per il Crocifisso dei Cappucini di Bologna uno dei piáu
Purchased as the gift of the Fellows; 1961.34

Auguste Renoir (1841–1919)
View of a Park
Watercolor, traces of white gouache
12 1/16 x 19 7/8 inches (307 x 494 mm)
Thaw Collection; 2010.122

Humphry Repton (1752–1818)
Hatchlands in Surry a Seat of George Holme Sumner Esqr
Pen and brown ink and watercolor on paper, in Repton's Red Book of Hatchlands. Album, 1800
8 3/4 x 11 1/2 inches (222 x 292 mm)
Collection of Mrs. J. P. Morgan, Jr., Gift of Junius S. Morgan and Henry S. Morgan; 1954.16
Humphry Repton's Red Books online exhibition »

José de Ribera (1588?–1652)
Martyrdom of St. Bartholomew
Pen and brown ink, and brush and brown wash, over traces of black chalk, on paper
7 x 5 1/4 inches (177 x 132 mm)
Inscribed in pen and brown ink at lower edge, Giusepe Ribera l'anno 1649
Purchased by Pierpont Morgan, 1910; I, 106

Marco Ricci (1676–1729)
A Roman Capriccio
Gouache on paper.
14 11/16 x 24 inches (372 x 610 mm.)
The Morgan Library & Museum, New York; 1961.29
Purchased as the gift of the Fellows

Sebastiano Ricci (1659–1734)
Venus and Cupid with other Figures before an Altar
Black chalk on paper.
8 11/16 x 6 1/2 inches (220 x 165 mm.)
The Morgan Library & Museum, New York; 1950.5

Jacques Rigaud (1681–1754)
Les Dômes
Black chalk, pen and gray ink, gray wash
Inscribed, 44.
8 5/8 x 18 5/8 inches (220 x 473 mm)
Purchased on the Lois and Walter C. Baker Fund; 2007.89

Hubert Robert (1733–1808)
The Avenue of Trees
Red chalk on paper
14 1/2 x 11 1/4 inches (367 x 286 mm)
Purchased by Pierpont Morgan, 1910; III, 118

Hubert Robert (1733–1808)
The South Façade of the palazzo Poli with the Trevi Fountain Under Construction, ca. 1760–61
Red chalk
12 11/16 x 17 5/8 inches (323 x 447 mm)
Gift of Mrs. Allerton Cushman in honor of Janos Scholz and the Fiftieth Anniversary of the Library; 1973.51

Hubert Robert (1733–1808)
Draftsman in an Italian Church, 1763
Red chalk
Dated in red chalk, at lower left corner, 1763.
12 15/16 x 17 5/8 inches (329 x 448 mm)
Thaw Collection; 1981.74

David Roberts (1796–1864)
The Golden Tower, Seville, at Sunset
Watercolor and some gouache, with pen and brush and black ink, over pencil, on gray paper
14 5/16 x 10 1/8 inches (364 x 258 mm)
Signed and dated, in brush and black ink, at lower right, David Roberts, R.A. 1833
Gift of Charles Ryskamp; 1974.12

David Roberts (1796–1864)
The Temple of Horus at Edfu
Watercolor, pen and black ink and pencil, heightened with white, on light brown wove paper
12 11/16 x 18 15/16 in. (323 x 482 mm)
Signed at lower right, in pen and black ink, David Roberts R. A.; inscribed at lower left, in pencil, Edfou Novr 23d 1838
Purchased on the Fellows Fund; 1977.26

David Roberts (1796–1864)
View of Karnak, Egypt
Watercolor, point of brush, and some gouache, over pencil, on light brown wove paper
12 13/16 x 19 1/16 in. (325 x 485 mm)
Signed at lower left, in pen and black ink, David Roberts R.A. 1838
Purchased on the Fellows Fund; 1977.25

Girolamo Romanino (1484/87–ca. 1560)
Pastoral Concert with Two Women, a Faun and a Soldier, early 1530s
Red chalk
9 13/16 x 16 1/8 inches (249 x 410 mm.)
Gift of Janos Scholz, 1973; 1973.37

Giulio Romano (Rome 1499–1546 Mantua)
St. Jerome and St. Augustine
Pen and brown ink, brown wash, heightened with white gouache, on pink toned paper; squared in red chalk
10 3/4 x 7 7/8 inches (273 x 201 mm)
Gift of Janos Scholz, 1973; 1973.24
Photography by Graham Haber, 2009

Alexander Ross
(American, born in Denver, Colorado, 1960)

Untitled, 2007
Colored pencil on paper
30 1/4 x 22 3/4 inches (768 x 578 mm)
Purchased as the gift of Whitney B. Armstrong and on the Young Associates Fund for Twentieth-Century Acquisitions; 2008.40
Photography by Kevin Noble, courtesy of David Nolan Gallery, NY.

Thomas Rowlandson (1756–1827).
The Doctor Sketching the Lake
Pen and watercolor drawing for "The Schoolmaster's Tour" in The Poetical Magazine (May 1810) with text by William Combe; reprinted in book form as The Tour of Doctor Syntax in Search of the Picturesque (1812)
4 11/16 x 7 9/16 inches (120 x 192 mm.)
Gift of J. P. Morgan, Jr.; 2006.24: 2

Peter Paul Rubens (1577–1640)
Angel Blowing a Trumpet, Facing Right
Black chalk, heightened with white, some lines accented in pen and black ink; squared for enlargement in black chalk
9 11/16 x 11 3/16 inches (245 x 285 mm)
Purchased by Pierpont Morgan, 1910; I, 233

Peter Paul Rubens (1577–1640)
Descent from the Cross, ca. 1617–18. Verso: St Andrew
Pen and brown ink, brown wash, occasional point of brush, on light brown paper
13 9/16 x 9 1/16 inches (345 x 233 mm)
Thaw Collection, The Morgan Library & Museum; 1998.26

Peter Paul Rubens (1577–1640)
St. Andrew, ca. 1618–19. Recto: Descent from the Cross
Pen and brown ink, brown wash, occasional point of brush, slight indication of a head in black chalk
13 9/16 x 9 1/16 inches (345 x 233 mm)
Thaw Collection, The Morgan Library & Museum; 1998.26

Jacob van Ruisdael (1628 or 9–1682)
Sun-Dappled Trees on a Stream
Point of brush, black and gray washes, over slight indications in black chalk, on paper; framing line in brown ink
10 3/8 x 7 11/16 inches (264 x 196 mm)
Signed with a monogram at lower right, in brush and black ink, JVR (in ligature)
Purchase; 1957.2

John Ruskin (1819–1900)
Sketchbook
113 drawings (primarily architectural), on 77 leaves; some leaves cut out; primarily white paper with some additional sheets in blue, yellow, pink, and green; gilt edges. Pen and brown ink, brown and gray wash, over pencil, some watercolor. Bound in black pebble-grained, stamped-leather binding. Album in gold lettering on spine
Binding: 5 3/4 x 3 1/2 in. (146 x 90 mm);
leaves: 5 3/8 x 3 3/8 in. (143 x 88 mm)
Bequest of Professor Helen Gill Viljoen; 1974.49:1

John Ruskin (1819–1900)
View of Brugg
Watercolor and gouache, with pen and black ink, over pencil
8 x 10 3/8 in. (203 x 264 mm)
Purchased on the Charles Ryskamp Fund, with the special assistance of the Herzog Fund; 1994.11

John Ruskin (1819–1900)
Self-Portrait, in Blue Neckcloth
Watercolor and gouache
13 7/8 x 9 15/16 in. (353 x 253 mm)
Inscribed, in pencil, on verso, Di Pa by himself
Watermark: none visible
Gift of the Fellows; 1959.23

John Ruskin (1819–1900)
Rocks in Unrest
Watercolor, point of brush, scratching out, over pencil
7 5/16 x 12 1/8 in. (185 x 308 mm)
Inscribed in border, in pen and brown ink, at lower left, Drawn from my favorite St. Gothard, for Mod. Painters 4th vol. / (J. Ruskin Brantwood. 23d Aug. 86)
Thaw Collection; EVT 159

Attributed to Lorenzo Sabatini (Bologna ca. 1530–1576 Rome)
A King as Builder of a City, 1565–80
Pen and brown ink, brown wash, heightened with white gouache, over traces of red chalk, on blue paper; upper corners made up
1 3/4 x 8 1/4 inches (349 x 209 mm)
Purchased as the Gift of the Fellows, 1959; 1959.11

Pieter Jansz Saenredam (1597–1665)
Interior of the New Church at Haarlem
Pen, watercolor, and some red chalk, on paper
14 13/16 x 20 inches (376 x 507 mm)
Inscribed by the artist on the plinth of the column in the right foreground, Den 14 Junij 1650 dit mette pen geteeckent in / de Nieuwe St. Anna kerk in haerlem, and signed at the bottom of the pedestal of the same column, Aldus van my Pieter Saenredam gemaecht; in the upper right left corner, the motto VIM VIRTVS
Thaw Collection; 2010.108

Gabriel Jacques de Saint-Aubin (1724–1780)
Momus, 1752
Red and black chalk, with touches of white chalk
13 7/8 x 9 1/2 inches (353 x 242 mm)
Inscribed in scroll, probably by the artist, in black chalk, Recue[il] / de / Déguisem[ents] / du Bal de / Saint Cloud / 1752 / Ds Gl de Saint-Aubin.
Purchased as the gift of the Fellows; 1954.9

Gabriel Jacques de Saint-Aubin (1724–1780)
The Lesson of the Chemist Sage at the Hôtel des Monnaies, 1779
Black chalk with some stumping and graphite, point of brush and brown ink, gray wash, some bodycolor
Signed and dated in pen and black ink, at lower margin, par Gabriel St Aubin 1779; in graphite, La leçon de M. Sage a l'hotel de la Monaye.
7 7/8 x 5 1/16 inches (198 x 128 mm)
Purchased on the Sunny Crawford von Bülow Fund 1978; 1991.4

Giuseppe Porta, called Salviati (1520–1575)
Bellerophon Killing the Chimera
Pen and brown ink, brown wash, heightened with white gouache, over black chalk, on blue paper faded to gray brown; squared in red and black chalk
10 7/8 x 9 1/8 inches (275 x 232 mm.)
Gift of Janos Scholz, 1973; 1973.42

Francesco Salviati (Florence 1510–1563 Rome)
Emblematic Design
Pen and brown ink, brown wash
Illegible inscription in the banderole, in pen and brown ink, by the artist
7 1/2 x 7 3/8 inches (191 x 187 mm)
Gift of Janos Scholz, 1979; 1979.58

Francesco Salviati and workshop (Florence 1510–1563 Rome)
Design for a Casket with Figure of Prudence
Pen and brown ink, brown wash, over black chalk; several vertical and horizontal ruled guide lines in black chalk
Inscribed in upper right corner, in pen and brown ink, 18-(?).
10 1/16 x 16 13/16 inches (257 x 427 mm)
Purchased as the gift of the Fellows, 1964; 1964.3

Francesco Salviati (1510-1563)
Head and Shoulders of a Bearded Man (1540s)
Black chalk
Purchased by Pierpont Morgan in 1910; I, 6b.

Paul Sandby (1731–1809)
Tutbury Castle, Staffordshire
Watercolor and graphite
10 11/16 x 16 7/8 in. (271 x 429 mm)
Signed, at lower left, in pen and brown ink, partly on drawing and partly on original mount, P. Sandby; inscribed, at lower right, in graphite, Tudbury Castle Staffordshire
Purchased as the gift of Arnold Whitridge in memory of Mrs. Arnold Whitridge; 1974.2

Paul Sandby (1731–1809)
View in a Park
Pen and black ink, watercolor, over faint indications in pencil, on paper.
10 3/8 x 18 1/8 inches (264 x 460 mm)
Purchased as the gift of the Fellows; 1963.1

Paul Sandby (1731–1809)
View in Windsor Park
Pen and brown ink, gray wash, over some graphite
13 3/16 x 20 1/4 inches (335 x 515 mm)
Purchased on the Fellows Fund; 1977.18

Andrea del Sarto (1486–1530)
Standing Man Turned to the Right, 1528
Red chalk, red wash, on pink toned paper
11 x 6 15/16 inches (277 x174 mm)
Purchased by Pierpont Morgan in 1910; I, 31

Giovanni Girolamo Savoldo (1480–1548/49)
Head and Shoulders of a Bearded Man
Black and white chalk, with some brown wash; outlines pricked for transfer
10 1/2 x 7 5/8 inches (267 x 193 mm.)
Gift of Benjamin Sonnenberg, 1977; 1977.61

Egon Schiele (1890–1918)
Embrace, 1914
Graphite pencil
19 1/8 x 12 3/4 inches (485 x 323 mm)
Bequest of Fred Ebb; 2005.160

Egon Schiele (1890–1918)
Portrait of the Artist's Wife Seated, Holding Her Right Leg, 1917
Black crayon and gouache
18 1/4 x 11 1/2 inches (463 x 292 mm)
Signed and dated at lower center, in black crayon, EGON / SCHIELE / 1917
Gift of Otto Manley; 1981.56

Egon Schiele (1890–1918)
Standing Boy with Hands on Chest, 1910
Watercolor and black chalk on brown paper
17 5/8 x 12 1/2 inches (448 x 318 mm)
The Pierpont Morgan Library, Bequest of Fred Ebb; 2005.159

Georges Seurat (Paris 1859–1891 Paris)
Nurse with a Child's Carriage
Conté crayon on Ingres paper
12 3/16 x 9 7/8 inches (312 x 250 mm)
Inscribed by Maximilien Luce in blue chalk at left, G. Seurat; his own initial L below, in blue chalk; and inventory number 317 in red chalk
Thaw Collection; 1997.89

Luca Signorelli (1441/50–1523)
Four Demons Inspecting a Book, 1500–1503
Black chalk
14 x 11 1/8 inches (355 x 284 mm)
Purchased as the gift of the Fellows; 1965.15

John Warwick Smith (1749–1831)
A View of Terracina on the Coast Between Rome and Naples
Watercolor and some gouache , over black chalk
11 3/4 x 17 3/8 inches (300 x 441 mm)
Purchased as a gift of Mr. and Mrs. Charles F. Morgan; 1984.20

Sarah Stone (British, 1761/62–1844)
Malabar Shrike
Watercolor and gouache, heightened with white gouache, over traces of graphite, on pale gray paper
Signed and dated in pen and black ink at lower center, Sarah Stone: 1782; inscribed in pen and brown ink at upper left, Malabar Shrike. Sapa:, in pen and brown ink at upper right, Lanicit malabarisus. lai:
15 1/2 x 11 7/16 inches (393 x 290 mm)
Purchased on the Ryskamp Fund; 1998.30

Robert Streatfeild (1786–1852)
Sketchbook: 35 drawings on 41 leaves bound in marble paper-covered boards with a black, tooled leather spine. Chiefly watercolor; pen and black ink, gray wash; fourteen pencil sketches; some on facing pages
Binding: 5 1/8 x 6 11/16 in. (129 x 169 mm);
leaves: 4 13/16 x 6 3/8 in. (123 x 162 mm)
Purchased as a gift of Mrs. Roy O'Connor and Mrs. Sumner Pingree; 1985.60

Bernhard Strigel (1460 or 61–1528)
Two Lovers
Pen and black ink, heightened with white and some yellow bodycolor, on reddish-brown prepared paper
7 11/16 x 6 7/8 inches (195 x 175 mm)
Inscribed by the artist in a banderole at upper right in pen and black ink, Er tut Doch hupschlich [?]
Purchased by Pierpont Morgan, 1910; I, 250

Friedrich Sustris (1540–1599)
The Union of Florence and Fiesole, ca. 1565
Pen and brown ink, brownish gray wash, over faint traces of black chalk
Purchased as the gift of Dr. Ruth Nanda Anshen, the Cremer Foundation, Gordon Getty, and Mrs. Carl Stern; 1982.8

John Tenniel (1820–1914)
Sir John Tenniel's hand-colored proof of Painting the Roses for The Nursery "Alice" ca. 1889
by Charles Lutwidge Dodgson (Lewis Carroll)
Gift of Arthur A. Houghton, Jr., 1987; 2005.199

John Tenniel (1820–1914)
Sir John Tenniel's hand-colored proof of How Alice Grew Tall for The Nursery "Alice" ca. 1889
by Charles Lutwidge Dodgson [Lewis Carroll]
Gift of Arthur A. Houghton, Jr., 1987; 2005.192

John Tenniel (1820–1914)
Sir John Tenniel's hand-colored proof of
The Mad Tea Party for The Nursery "Alice", ca. 1889,
by Charles Lutwidge Dodgson (Lewis Carroll)
Gift of Arthur A. Houghton, Jr., 1987; 2005.198

John Tenniel (1820–1914)
Sir John Tenniel's hand-colored proof of White Rabbit
for The Nursery "Alice", ca. 1889, by Charles Lutwidge Dodgson (Lewis Carroll)
Gift of Arthur A. Houghton, Jr., 1987; 2005.191

John Tenniel (1820–1914)
Sir John Tenniel's hand-colored proof of Shower of Cards for The Nursery "Alice", ca. 1889,
by Charles Lutwidge Dodgson (Lewis Carroll)
Gift of Arthur A. Houghton, Jr., 1987; 2005.203

John Tenniel (1820–1914)
Sir John Tenniel's hand-colored proof of Cheshire Cat in the Tree Above Alice for The Nursery "Alice", ca. 1889,
by Charles Lutwidge Dodgson (Lewis Carroll)
Gift of Arthur A. Houghton, Jr., 1987; 2005.197

Pietro Testa (1611–1650)
Charity in a Landscape with Tall Trees Surrounded by Groups of Putti
Pen and light and dark brown ink, over graphite, on paper
12 3/4 x 10 1/4 inches (324 x 260 mm)
Purchased by Pierpont Morgan, 1910; IV, 180

Domenico Tiepolo (1726–1804)
The Presentation of the Fiancé
Pen and gray-brown ink on paper.
14 5/8 x 19 11/16 inches (371 x 499 mm)
The Morgan Library & Museum, New York
Thaw Collection

Domenico Tiepolo (1726–1804)
The Quack Dentist
Pen and brown and gray-brown ink on paper.
11 5/16 X 16 3/8 inches (288 x 415mm)
The Morgan Library & Museum, New York
Thaw Collection

Domenico Tiepolo (1726–1804)
The Setting Off on the Flight into Egypt
Pen and brown ink on paper.
18 7/16 x 14 1/4 inches (468 x 362 mm.)
The Morgan Library & Museum, New York; IV, 146

Giambattista Tiepolo (1696–1770)
Drunken Punchinello
Pen and brown ink, brown wash over black chalk, on paper.
6 1/4 x 6 inches (157 x 152 mm)
The Morgan Library & Museum, New York
Thaw Collection

Giambattista Tiepolo (1696–1770)
Apollo, with Lyre and Quiver, His Arm Upraised
Pen and brown ink, brown wash, over black chalk, on paper.
8 5/8 x 7 1/4 inches (218 x 184 mm.)
The Morgan Library & Museum, New York; IV, 112a

Giambattista Tiepolo (1696–1770)
Large Family Portrait
Pen and brown ink on paper.
10 7/8 x 16 1/2 inches (277 x 418 mm.)
The Morgan Library & Museum, New York; 1997.23
Gift of Lore Heinemann, in memory of her husband, Dr. Rudolf J. Heinemann

Giovanni Tiepolo (1726–1804)
The Last Illness of Punchinello
Pen and brown ink on paper.
13 13/16 x 18 5/16 inches (351x 456mm)
The Morgan Library & Museum, New York
Thaw Collection

Giovanni Battista Tiepolo (1696–1770)
Virgin and Child Seated on a Globe, 1740s
Pen and brown ink, with brown, ochre, and violet wash, over black chalk
17 1/4 x 12 1/8 inches (451 x 308 mm)
Gift of Lore Heinemann, in memory of her husband, Dr. Rudolf J. Heinemann; 1997.26

Giovanni Battista Tiepolo (1696–1770)
Three Studies of the God Bacchus
Black chalk, pen and brown ink, with brown wash
13 x 10 13/16 inches (333 x 275 mm)
Gift of J. P. Morgan, Jr.; IV, 117a

Giovanni Domenico Tiepolo (1726?–1804)
Punchinellos with an Elephant
Pen and brown ink, with brown and ochre wash, over black chalk, on paper
11 5/8 x 16 3/16 inches (294 x 411 mm)
Signed at upper center, in pen and brown ink, Domo [o in superscript] Tiepolo
Purchased by Pierpont Morgan, 1910; IV, 151b

Giovanni Domenico Tiepolo (Italian, 1727–1804)
Dancing Dogs with Musicians and Bystanders
Pen and brown ink and brown wash, over traces of black chalk
The Morgan Library & Museum
Estate of Mrs. Vincent Astor, 2012

Lorenzo Tiepolo (1736–1776)
Head of a Bearded Man Wearing a Turban
Black chalk, heightened with white chalk, on gray paper.
15 7/16 x 11 inches (392 x 279 mm.)
The Morgan Library & Museum, New York; IV, 144A

Giambattista Tiepolo (1696–1770)
Design for a Ceiling showing the Triumph of Hercules
Pen and brown ink on paper.
18 1/16 x 24 inches (458 x 610 mm.)
The Morgan Library & Museum, New York; 1968.8
Purchased on the Fellows Fund

Jacopo Tintoretto (1519–1594)
Two Studies of Samson Slaying the Philistines (Judges 15:14–19)
Black chalk, heightened with wetted white chalk, on blue paper (faded)
17 1/2 x 11 3/8 inches (443 x 285 mm.)
Thaw Collection, 2005; 2005.234

Jacopo Tintoretto (1519–1594)
Roman Head (So-Called Head of Emperor Vitellius)
Charcoal, heightened with white chalk, on blue paper faded to brown
13 1/16 x 9 13/16 inches (333 x 249 mm.)
Purchased as the gift of Mr. and Mrs. Carl Stern, 1959; 1959.17

Titian (ca. 1490–1576)
Landscape with St. Theodore Overcoming the Dragon, ca. 1550s
Pen and brown ink, over traces of black chalk
296 x 297 mm.
Inscribed on old mount at center, beneath the drawing, in pen and brown ink, Titiano da Cadore.
Gift of János Scholz, 1977; 1977.46

Louis-Roland Trinquesse (ca. 1745–ca. 1800)
Study of a Lady of Fashion
Red chalk
14 13/16 x 10 1/16 inches (376 x 254 mm)
Purchased on the Sunny Crawford von Bülow Fund 1978; 1990.16

William Turner of Oxford (British, 1789–1862)
Trees in a Landscape at Dusk, ca. 1835
Watercolor and gouache, over black chalk, on blue paper
The Morgan Library & Museum
Purchased on the Sunny Crawford von Bülow Fund 1978, 2012

Joseph Mallord William Turner (1775–1851)
Dartmouth Cove, ca. 1824–27
Watercolor, point of brush, some gouache, heightened with white gouache
11 x 15 3/4 inches (281 x 403 mm)
Purchased on the Sunny Crawford von Bülow Fund, 1978, in honor of the 75th anniversary of the Morgan Library and the 50th anniversary of the Association of Fellows; 2000.1

Joseph Mallord William Turner (1775–1851)
Lurleiberg
Watercolor, over black chalk, some scraping
7 1/4 x 11 3/4 in. (184 x 298 mm)
Thaw Collection; 1997,14

Joseph Mallord William Turner (1775–1851)
Wreck on the Goodwin Sands: Sunset
Watercolor and traces of black chalk and pencil
Inscribed, in pencil, And [dolphins?] play around the wreck / The man's [hope?] holding all that hoped / admits [work? waste?] of the almighty's hand [feeling? failing?] fallacy Hope [illegible] far sail / Wreck on the Goodwins
9 1/16 x 13 1/16 inches (230 x 332 mm)
Bequest of Alice Tully; 1996.67

Joseph Mallord William Turner (1775–1851)
Waves Breaking on the Beach
Watercolor, some gouache and traces of black chalk, on blue paper
5 3/8 x 7 1/4 in. (136 x 184 mm)
Thaw Collection; EVT 179

Joseph Mallord William Turner (1775–1851)
View of Dunster Castle from the Northeast
Watercolor, over faint indications in graphite
9 1/4 x 14 7/16 inches (235 x 367 mm)
Purchased on the bequest of Lois Duffie Baker; 1980.32

Joseph Mallord William Turner (1775–1851)
Lucerne from the Lake
Watercolor over preliminary traces of pencil
11 5/8 x 18 5/8 inches (295 x 473 mm)
Thaw Collection; 1996.148

William Turner of Oxford (1789–1862)
A View of Betchworth Park, Dorking, Looking Toward Reigate
Watercolor, over graphite, on wove paper
Signed at lower right, in pen and brown ink, Wm Turner / Oxf d
10 11/16 x 9 7/16 inches (271 x 239 mm)
Purchased by some of his friends in memory of John D. Barrett; 1982.5

William Turner of Oxford (1789–1862)
Loch Etive, Argyllshire, Scotland
Watercolor, over pencil, on wove paper
8 x 13 1/4 in. (204 x 337 mm)
Property of a Fellow of the Morgan Library

Sir Anthony Van Dyck (1599–1641)
Diana and Endymion
Pen and point of brush and brown ink, brown wash, heightened with white gouache, on blue paper, faded to green gray
7 1/2 x 9 inches (190 x 228 mm)
Gift of J. P. Morgan, Jr., 1924; I, 240

Sir Anthony Van Dyck (1599–1641)
View of Rye from the Northeast, 27 August 1633
Pen and brown ink on paper
Signed, dated, and inscribed by the artist, at lower right, in brown ink, Rie del naturale li 27 d' Augto 1633–Aovand[yck]; inscribed above in Jan van Rymsdyk's hand, in brown ink, Rymsdyk's Museum.
7 15/16 x 11 9/16 inches (201 x 294 mm)
Purchased by Pierpont Morgan, 1910; III, 178

Vincent van Gogh (1853–1890)
Autograph letter, dated 17 October 1888, to Paul Gauguin
Gift of Eugene V. Thaw in honor of Charles E. Pierce, Jr., 2007; MA 6447

See more van Gogh letters »

Willem van Mieris (1662–1747)
Joseph and Potiphar's Wife (Genesis 39:11–12)
Gouache in shades of gray, green, rose, blue, flesh, brown, yellow, orange, and red, on vellum; framing line in black ink
Signed and dated at upper right in black ink, W. van Mieris Fecit Anno 1693
6 3/4 x 5 5/8 inches (171 x 144 mm)
Purchased on the Sunny Crawford von Bülow Fund 1978; 2001.46

Adriaen van Ostade (1610–1685)
Ale House Interior with Nine Peasants Smoking, Drinking, and Playing Cards or Tric-trac
Pen and brown ink, brown wash, watercolor in varying tints of gray, green, yellow, purple, and pink, with some bodycolor, over traces of graphite, on paper; framing line in brown ink
9 15/16 x 9 1/4 inches (255 x 235 mm)
Signed and dated at lower right, in brown ink, Av.(in ligature) Ostade 1673
Gift of J. P. Morgan, Jr. 1924; I, 133

John Varley (1778–1842)
The Harrow Road, Paddington
Watercolor and some gouache, pencil
8 7/8 x 12 3/4 inches (225 x 323 mm)
Signed and dated at lower right, in pen and brown ink, J. Varley / 1836
Purchased on the E. J. Rousuck Fund; 1991.13

Giorgio Vasari (1511–1574)
Design for the Ceiling of the Sala di Lorenzo il Magnifico, Palazzo Vecchio, ca 1556
Pen and brown ink, brown wash, over black chalk; center panel in black chalk; section with figure of Buon Guiditio has been inserted from the back on a separate piece of paper
15 1/2 x 14 1/4 inches (393 x 362 mm)
Gift of George H. Fitch; 1967.25

Giorgio Vasari (1511–1574)
Design for the Ceiling of the Salone dei Cinquecento, ca. 1563–66
Pen and brown ink, brown wash, on paper darkened to a light brown
Inscribed just left of lower center, sogliano
3 13/16 x 8 5/8 inches (97 x 219 mm)
Gift of Janos Scholz; 1984.60

Giovanni de Vecchi (1536-1615)
A Scene from Ancient History, early 1590s
Pen and brown ink, violet wash, over black chalk; squared for transfer
Inscribed on old mount, at lower center, in pen and brown ink, Camillo Procaccini.
9 1/4 x 6 1/8 inches (235 x 155 mm)
Joseph F. McCrindle collection, Morgan Library & Museum, 2009; 2009.330

Paolo Veronese (1528–1588)
Studies of Jupiter Astride the Eagle, 1557
Pen and brown ink, brown wash
5 3/4 x 3 3/8 inches (145 x 87 mm.)
Purchased by Pierpont Morgan, 1909; I, 90a

Paolo Veronese (Verona 1528–1588 Venice)
Group of Figures for a Ceiling Decoration, 1579–82
Black chalk, brown wash, heightened with wet white chalk
Inscribed at lower right, in pen and brown ink, di Paolo V.
Purchased as the gift of the Fellows with the special assistance of Mrs. Gerrit P. Van de Bovenkamp, 1981

Enea Vico (Parma 1523–1567 Ferrara)
River God After the Antique (Tiber), early 1540s
Pen and brown ink, over traces of black chalk
Inscribed at lower right, in pen and brown ink, with the artist's monogram, Æ.V.
7 1/6 x 12 1/16 inches (178 x 306 mm)
Purchased by Pierpont Morgan, 1910; IV, 50a

Enea Vico (Parma 1523–1567 Ferrara)
River God After the Antique (Nile), early 1540s
Pen and brown ink, over traces of black chalk
Inscribed at lower left, in pen and brown ink, with the artist's monogram, Æ.V.
7 1/16 x 12 1/16 inches (178 x 306 mm)
Purchased by Pierpont Morgan, 1910; IV, 50

David Vinckboons (1576–1632)
Village Kermis
Pen and point of brush, black and some brown ink, watercolor and bodycolor in white and varying shades or blue, red, and green, on paper; framing line in black ink
8 1/8 x 11 9/16 inches (205 x 294 mm)
Signed with monogram (interlaced) and dated at lower left, in brush and white bodycolor, DVB 1603
Purchased by Pierpont Morgan, 1910; III, 164

Daniele da Volterra (Daniele Ricciarelli, ca. 1509–1566)
Kneeling Figure Seen from Behind, 1550–53
Black chalk
12 7/8 x 9 7/8 inches (327 x 252 mm)
Purchased on the Edwin H. Herzog Fund and the Lois and Walter C. Baker Fund, 2001; 2001.39

Antoine Watteau (1684–1721)
Seated Young Woman
Black, red, and white chalk on buff paper
10 x 6 3/4 inches (255 x 172 mm)
Purchased by Pierpont Morgan, 1911; I, 278a

Antoine Watteau (1684–1721)
Temple of Diana
Red chalk on paper
10 1/2 x 14 1/4 inches (267 x 362 mm)
The Pierpont Morgan Library, New York; 1980.9

Antoine Watteau (1684–1721)
Seated Young Woman
Black, red, and white chalk on oatmeal-colored paper
6 7/8 x 8 1/8 inches (174 x 206 mm)
Gift of Mr. and Mrs. Eugene V. Thaw; 2000.53

Antoine Watteau (1684–1721)
Study of a Young Man Seen from the Back and Another Study of His Right Arm
Black, red, and white chalk on light brown paper
8 3/16 x 9 inches (208 x 227 mm)
Gift of Mr. and Mrs. Eugene V. Thaw; 2000.56

Antoine Watteau (1684–1721)
Temple of Diana, 1716
Red chalk
10 1/2 x 14 1/4 inches (267 x 362 mm)
Purchased on the Sunny Crawford von Bülow Fund 1978; 1980.9

Jean Antoine Watteau (1684–1721)
Head of a Woman, Turned Three-Quarters to the Right, ca. 1717
Red and black chalks
2 3/4 x 2 1/2 inches (70 x 65 mm)
Gift of Mr. and Mrs. Bernard Kramarsky in memory of Lola and Siegfried Kramarsky on the occasion of the 75th anniversary of Morgan Library and the 50th anniversary of the Association of Fellows; 2008.8

Attributed to Carl Friedrich Heinrich Werner (1808–1894)
An Entranceway at Karnak, Egypt
Watercolor, brush and brown ink, over some black chalk, on cream paper
19 15/16 x 14 1/8 inches. (507 x 358 mm)
Watermark: fragment with letter N
Inscribed at lower center, in pen and black ink, David Roberts. R.A. 1864
Purchased as the gift of Mrs. Vincent Astor; 1977.24

Andrew Wyeth
Asleep, 1979
Graphite pencil on paper, signed at lower left, Andrew Wyeth
14 x 11 inches (356 x 280 mm)
Gift of Warren Adelson and Frank Fowler in memory of their friend Andrew Wyeth; 2009.4
Copyright Pacific Sun Trading Co.

Federico Zuccaro (Sant'Angelo in Vado 1542/3-1609 Ancona)
Head and Shoulders of Two Young Boys and Separate Studies of a Right and a Left Arm
Black and red chalk
Gift of Janos Scholz, 1974; 1974.24
Photography by Schecter Lee.

Taddeo Zuccaro (Sant
Foundation of Orbetello
Pen and brown ink, brown wash, over black chalk; incised for transfer; squared in black chalk
Inscribed at left, on altar, in pen and brown ink, by the artist, COL[ONIA] / VRBE / TELL[I].
10 3/8 x 15 5/16 inches (264 x 391 mm)
Gift of Janos Scholz, 1973; 1973.28
Photography by Graham Haber, 2009

Taddeo Zuccaro (Sant'Angelo in Vado 1529-1566 Rome)
St. John the Baptist Preaching
Pen and brown ink, brown wash, heightened with white gouache, on blue paper; on a mount made by Giorgio Vasari
Inscribed on mount in a cartouche, in pen and brown ink, by Vasari, TADDEO ZUCHERO / DA S. AGNOLO. / PITTORE
13 1/16 x 9 3/8 inches (337 x 236 mm)
Gift of Janos Scholz, 1973; 1973.26

Jacopo Zucchi (Florence ca. 1541–ca. 1590 Rome)
Design for the Catafalque of Grand Duke Cosimo I, 1574
Pen and brown ink, brown wash, over black chalk
Inscribed at upper center, flanking the sarcophagus, in pen and brown ink, Jacom Zucchi; in the cartouche below, in pen and brown ink, MAG COSMUS / ETRURIE; plan at upper right, in pen and brown ink, liberalita / Carita / pruden[zia] / iustizia; plan beneath this, in pen and brown ink, cavalieri / creatione / trionfo / coronatione; lowest plan, in pen and brown ink, Pisa / carara / Siena / fiorenza.
14 3/4 x 10 3/16 inches (375 x 259 mm)
Purchased as the gift of the Fellows, 1965; 1965.5
Photography by Graham Haber, 2009


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Background images: Photography by Todd Eberle unless otherwise noted. © 2006 Todd Eberle.