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Seated Ruler with Two Women and a Standing Saint Cutting from a choir book, in Latin
France, perhaps Paris, first quarter of the twentieth century
Illuminated by the Spanish Forger
245 x 195 mm
Purchased (as the Spanish Forger), 1967. MS M.786c.
See CORSAIR catalog record for this item »
The Spanish Forger was keenly aware of the growing market for single leaves and cuttings, producing nearly two hundred fifty of them for an unsuspecting public. The forger's nationality remains unknown, but Belle da Costa Greene named him the Spanish Forger after she had exposed a panel by him that was thought to be Spanish. This leaf was the first manuscript illumination tested using neutron activation analysis, resulting in the identification of the green pigment as copper arsenite or Paris green, which was not available before 1814. In 1978 the Spanish Forger became the first illuminator to be given a one-man show at the Morgan, causing Hilton Kramer to comment "that many a genuine artist has received a lot less from posterity."
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The programs of The Morgan Library & Museum are made possible with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Background images: Photography by Todd Eberle unless otherwise noted. © 2006 Todd Eberle.