Letter 3, page 1
Vincent van Gogh
Vincent van Gogh, letter to Émile Bernard, Arles, 12 April 1888
About this exhibition:
Painted with Words is a compelling look at Vincent van Gogh's correspondence to his young colleague Émile Bernard between 1887 and 1889. Van Gogh's words and sketches reveal his thoughts about art and life and communicate his groundbreaking work in Arles to his fellow painter.
Van Gogh's letters to Bernard reveal the tenor of their relationship. Van Gogh assumed the role of an older, wiser brother, offering praise or criticism of Bernard's paintings, drawings, and poems. At the same time the letters chronicle van Gogh's own struggles, as he reached his artistic maturity in isolation in Arles and St. Rémy. Throughout the letters are no less than twelve sketches by van Gogh meant to provide Bernard with an idea of his work in progress, including studies related to the paintings The Langlois Bridge, Houses at Saintes-Maries-de-la-Mer, Boats on the beach at Saintes-Maries, The Sower, and View of Arles at Sunset.
My dear old Bernard,
Thanks for your kind letter and the sketch of your decoration included with it, which I find really amusing. I sometimes regret that I can't decide to work more at home and from the imagination. Certainly—imagination is a capacity that must be developed, and only that enables us to create a more exalting and consoling nature than what just a glance at reality (which we perceive changing, passing quickly like lightning) allows us to perceive.
A starry sky, for example, well—it's a thing that I should like to try to do, just as in the daytime I'll try to paint a green meadow studded with dandelions.
But how to arrive at that unless I decide to work at home and from the imagination? This, then, to criticize myself and to praise you.
At present I am busy with the fruit trees in blossom: pink peach trees, yellow-white pear trees.
© 2007 Van Gogh Museum, Amsterdam
Major support for Painted with Words: Vincent van Gogh's Letters to Émile Bernard and its accompanying catalogue was provided by the International Music and Art Foundation. Generous support was also provided by the Robert Lehman Foundation and the National Endowment for the Arts.