Lailā Summons Majnūn to Her Camp
Khamsa (Quintet), in Persian, illustrated ca. 1579 by Siyāvush the Georgian and his workshop for ˓Alī Khān (Beg Turkman)
Bequest of Belle da Costa Greene, 1950
Although Lailā had been forced to marry Ibn Salam, he resigned himself to simply beholding her beauty, as she refused to submit to him. Lailā's thoughts were always about Majnūn, and she wanted to see how he was. Through the aid of an old man, they found a way to exchange messages. At the upper left, a messenger informs Majnūn of the plan to meet in a thicket near Lailā's camp, shown on the lower right. He holds a book of his poems, which he plans to read to her.
Lailā va Majnūn (1188), a Persian Romeo and Juliet, is the third poem of the Khamsa (Quintet), a multi-part work by the poet Niẓāmī. The story is based on two real-life seventh-century lovers.
The Persians loved their poetry and their poets, though the Qur˒an warned against believing their words (sura 69.41) and "those straying in evil who follow them" (sura 26.224). While Arabic was the first language of Islam and the language of the Qur˒an, Persian was favored by poets. Even Firdausī's (940–1020) celebrated Shāhnāma (Book of Kings), the national epic of Persian, was written in verse—some 50,000 couplets! Rūmī (1207–1273), the best known of the Sufi poets, put poetry in perspective when he wrote, "A hundred thousand books of poetry existed / Before the word of the illiterate [Prophet] they were put to shame!" (Masnavī I, 529). Presented here are illustrations of Firdausī's Shāhnāma as well as works by Sa˓ dī (ca.1184–1292), Hāfiz (ca. 1320–1389), and Jāmī (1414–1492), regarded as the last of the great Sufi poets. Also featured are illustrations from each of the five poems of the Khamsa (Quintet), by Niẓāmī (ca. 1141–1209), especially Lailā and Majnūn (The Persian Romeo and Juliet) and Bahrām Gūr's Seven Princesses.