MS M.917/945, ff. 84v–85r

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Infant Christ Sent to Earth

The Netherlands, Utrecht
ca. 1440
7 1/2 x 5 1/8 inches (192 x 130 mm)

Purchased on the Belle da Costa Greene Fund with the assistance of the Fellows and with special assistance of Mrs. Frederick B. Adams, Sr., Mrs. Robert Charles, Mr. Laurens M. Hamilton, The Heineman Foundation, Mrs. Donald F. Hyde, Mrs. Jacob M. Kaplan, Mrs. John Kean, Mr. Paul Mellon, Mr. and Mrs. Charles F. Morgan, Mr. Lessing J. Rosenwald, Mr. and Mrs. August H. Schilling, Mrs. Herbert N. Straus, Mrs. Landon K. Thorne, Mrs. Alan Valentine, Mr. and Mrs. Arnold Whitridge, and Miss Julia P. Wightman, 1970

MS M.917/945, ff. 84v–85r

Salvation has begun. God the Father dispatches his Son to earth, trailed by the Dove of the Holy Spirit. Christ is depicted as a human baby, albeit one shouldering the Cross upon which he will die. The earth is devoid of people; no one welcomes the future Savior. Below, in the border, a man catches fish in traps that symbolize the corporeal imprisonment of the soul.

Hours and Masses for the Seven Days of the Week

The most unusual texts in Catherine's manuscript are the series of Hours and Masses for every day of the week. Medieval Christian tradition associated certain figures or themes with different days. Thus Sunday, the day of the Resurrection, was the Lord's Day; Thursday was connected with the Eucharist since that sacrament was instituted on Holy Thursday; and Monday was the day of the dead, since their torments were suspended on Sunday but recommenced the following day. In Catherine's prayer book, the themes for the Hours and Masses of the seven days of the week are:

Sunday the Trinity
Monday the Dead
Tuesday the Holy Spirit
Wednesday All Saints
Thursday the Blessed Sacrament
Friday the Compassion of God
Saturday the Virgin.

Image courtesy of Faksimile Verlag Luzern