Horses and Spectators (Fragment of an Adoration of the Kings), 1500–1505
Gift of J. P. Morgan, Jr., 1924
Together with two additional sections now in the Fitzwilliam Museum in Cambridge, England, these figures once formed part of a composition of the Adoration of the Magi. The monochrome technique and expressive figures reveal the influence of Leonardo’s unfinished Florentine Adoration. The extensive modeling and high degree of finish suggest that Botticelli’s original canvas was either intended as a monochromatic painting or, more likely, a late compositional study used as a guide for establishing light values.