Past Exhibitions

June 7 through September 15, 2019

The exhibition explores Whitman’s process of self-invention, from his early years as a journalist, through the early 1850s when Whitman began to write more privately and poetically, to his final years.

December 11, 2018 through August 25, 2019

During the second half of the eighteenth century, the practice of using oil paint on paper while working outdoors became popular among landscape artists.

May 31 through August 18, 2019

Composed chiefly of works in the Morgan’s collection, this exhibition explores how photographers have represented the bonds uniting people, whether in group portraits or in serial imagery.

February 26 through June 30, 2019

Nearly fifteen years ago, while the construction of its Renzo Piano-designed expansion was under way, the Morgan embarked on a new program of acquisitions of modern and contemporary drawings.

February 15 through May 26, 2019

One of the most comprehensive repositories of photography on the continent, the collection at the National Gallery of Canada turns fifty in 2019.

February 15 through May 19, 2019

The Morgan’s impressive collection of Italian Drawings documents the development of Renaissance drawing practice from its beginnings in the fourteenth century and over the following two centuries.

January 25 through May 12, 2019

The exhibition will be the most extensive public display of original Tolkien material for several generations.

January 18 through May 12, 2019

By Any Means brings together about twenty innovative works from the Morgan’s collection, including many recent acquisitions, by artists such as John Cage, Sol LeWitt, Vera Molnar, Robert Rauschenberg, Betye Saar, Gavin Turk, and Jack Whitten.

October 30, 2018 through February 17, 2019

The leaves of a magnificent album compiled for Husain Khan Shamlu, governor of Herat (r. 1598–1618) and one of the most powerful rulers in Persia in the early seventeenth century, are now on view on the Lower Level.

October 12, 2018 through January 27, 2019

Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.